Sous le feu. La mort comme hypothèse de travail, Michel Goya, Éditions Tallandier, 2014, 266 pages
History is the theatre of many tragedies. How many destinies and lives have been broken ? Though Aiglon (1811-1832) summarized his life thusly : “my birth and my death, that is my story,” the Emperor had another son, who had the time to state who he was and what he wanted before he died : the Princ...
Enregistré dans:
| Auteur principal: | |
|---|---|
| Format: | Article ou chapitre numérique |
| Langue: | Français |
| Publié: |
2014
|
| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Résumé: | History is the theatre of many tragedies. How many destinies and lives have been broken ? Though Aiglon (1811-1832) summarized his life thusly : “my birth and my death, that is my story,” the Emperor had another son, who had the time to state who he was and what he wanted before he died : the Prince Imperial (1856-1879). Studying his correspondence allows us to draw an often endearing portrait of someone who could have reigned under the name of Napoleon IV : a sincere young man, with ambitions for France, endowed with an acute intelligence and exceptional maturity. |
|---|