Henry Ford and the Jews. The Mass Production of Hate, Neil Baldwin, PublicAffairs, 2001

In the early 1980s, an academic movement emerged around management approaches inspired by art, aiming to place aesthetics at the heart of organizational analysis. Originating from two distinct branches, this multifaceted movement gradually took shape, and began to propose an alternative form of mana...

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Auteur principal: Goiseau, Élise
Format: Article ou chapitre numérique
Langue:Français
Publié: 2025
Accès en ligne:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
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spelling cairn-RFG_322_0239RFGRevue française de gestion https://shs.cairn.info/revue-revue-francaise-de-gestion-2025-3-page-239?lang=fr https://doi.org/10.1684/rfg.2025.88 Henry Ford and the Jews. The Mass Production of Hate, Neil Baldwin, PublicAffairs, 2001 Goiseau, Élise2025 fre Revue française de gestion | 322 | 3 | 2025-07-16 | p. 239-248 | 0338-4551 RFG_32296 In the early 1980s, an academic movement emerged around management approaches inspired by art, aiming to place aesthetics at the heart of organizational analysis. Originating from two distinct branches, this multifaceted movement gradually took shape, and began to propose an alternative form of managerial thinking. Tracing its history in detail, the authors show how encounters between academic, cultural, and artistic fields can be fruitful, while noting that their performativity remains limited. They conclude by highlighting the institutional challenges faced by these hybrid approaches and the experiments undertaken by their proponents.Au début des années 1980, un courant académique a émergé autour d’approches du management inspirées par l’art et proposant de placer l’esthétique au cœur des analyses organisationnelles. Issu de deux branches distinctes, ce mouvement aux références multiples s’est progressivement structuré, et commence à proposer une pensée managériale alternative. Retraçant en détail son histoire, les auteurs montrent en quoi les rencontres entre les champs académiques, culturels et artistiques peuvent être fructueuses, tout en constatant que leur performativité reste encore limitée. Ils concluent sur les difficultés institutionnelles rencontrées par ces hybridations proposées par les acteurs et leurs expérimentations.Cairn free access
language Français
format Article ou chapitre numérique
building 0/Bibliothèque numérique/
1/Bibliothèque numérique/Cairn/
description In the early 1980s, an academic movement emerged around management approaches inspired by art, aiming to place aesthetics at the heart of organizational analysis. Originating from two distinct branches, this multifaceted movement gradually took shape, and began to propose an alternative form of managerial thinking. Tracing its history in detail, the authors show how encounters between academic, cultural, and artistic fields can be fruitful, while noting that their performativity remains limited. They conclude by highlighting the institutional challenges faced by these hybrid approaches and the experiments undertaken by their proponents.
author Goiseau, Élise
spellingShingle Goiseau, Élise
Henry Ford and the Jews. The Mass Production of Hate, Neil Baldwin, PublicAffairs, 2001
author_facet Goiseau, Élise
author_sort Goiseau, Élise
title Henry Ford and the Jews. The Mass Production of Hate, Neil Baldwin, PublicAffairs, 2001
title_short Henry Ford and the Jews. The Mass Production of Hate, Neil Baldwin, PublicAffairs, 2001
title_full Henry Ford and the Jews. The Mass Production of Hate, Neil Baldwin, PublicAffairs, 2001
title_fullStr Henry Ford and the Jews. The Mass Production of Hate, Neil Baldwin, PublicAffairs, 2001
title_full_unstemmed Henry Ford and the Jews. The Mass Production of Hate, Neil Baldwin, PublicAffairs, 2001
title_sort henry ford and the jews. the mass production of hate, neil baldwin, publicaffairs, 2001
publishDate 2025
container_title
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url https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-revue-francaise-de-gestion-2025-3-page-239?lang=fr
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.1684/rfg.2025.88
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