« There is a sound and alteration » : musicalité, mécanisation sonore et silence dans Adam & Eve & The City (1936) de William Carlos Williams
Combining Raymond Murray Schafer’s works and Marielle Macé’s writings on the disappearance of song from our soundscapes, this study constitutes an ecopoetic and ecoacoustic analysis of the disappearance of birds that accompanies the transition from natural spaces to industrialized places where mecha...
Wedi'i Gadw mewn:
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| Fformat: | Article ou chapitre numérique |
| Iaith: | Français |
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2024
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| Mynediad Ar-lein: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Crynodeb: | Combining Raymond Murray Schafer’s works and Marielle Macé’s writings on the disappearance of song from our soundscapes, this study constitutes an ecopoetic and ecoacoustic analysis of the disappearance of birds that accompanies the transition from natural spaces to industrialized places where mechanical rhythms reign in William Carlos Williams’s Adam & Eve & The City (1936). These sonic “alterations” invite readers to listen beyond the soundscape to resume their conversations with birds. |
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