Gone Girl (David Fincher, 2014) : Médias, mensonges et manipulation
Fincher’s film appears as a violent attack on a media system which raises accusations against a man whose wife tries to get him indicted for her murder, but the more general tenor of the film lies in an examination of our relation to images and the unstable meanings they are attributed in a hyper-me...
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| Natura: | Article ou chapitre numérique |
| Lingua: | Français |
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2017
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| Accesso online: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |