Gone Girl (David Fincher, 2014) : Médias, mensonges et manipulation

Fincher’s film appears as a violent attack on a media system which raises accusations against a man whose wife tries to get him indicted for her murder, but the more general tenor of the film lies in an examination of our relation to images and the unstable meanings they are attributed in a hyper-me...

詳細記述

保存先:
書誌詳細
第一著者: Gelly, Christophe
フォーマット: Article ou chapitre numérique
言語:Français
出版事項: 2017
主題:
オンライン・アクセス:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM

インターネット

https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-francaise-d-etudes-americaines-2017-1-page-73?lang=fr
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rfea.150.0073