Gone Girl (David Fincher, 2014) : Médias, mensonges et manipulation

Fincher’s film appears as a violent attack on a media system which raises accusations against a man whose wife tries to get him indicted for her murder, but the more general tenor of the film lies in an examination of our relation to images and the unstable meanings they are attributed in a hyper-me...

وصف كامل

محفوظ في:
التفاصيل البيبلوغرافية
المؤلف الرئيسي: Gelly, Christophe
التنسيق: Article ou chapitre numérique
اللغة:Français
منشور في: 2017
الموضوعات:
الوصول للمادة أونلاين:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM

الانترنت

https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-francaise-d-etudes-americaines-2017-1-page-73?lang=fr
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rfea.150.0073