Porosité des frontières entre nouvelles et essais chez Raymond Carver
This article seeks to determine how Carver’s essays shed light on his stories and vice versa. His essays, which include both introspection and theory, expose the metonymic relationship between reality and fiction which is typical of realism. Carver’s essays and stories complete each other : the expl...
محفوظ في:
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| التنسيق: | Article ou chapitre numérique |
| اللغة: | Français |
| منشور في: |
2016
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| الموضوعات: | |
| الوصول للمادة أونلاين: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| الملخص: | This article seeks to determine how Carver’s essays shed light on his stories and vice versa. His essays, which include both introspection and theory, expose the metonymic relationship between reality and fiction which is typical of realism. Carver’s essays and stories complete each other : the explicit comments on fiction writing in the former echo the trivialized form of metafiction that appears in the latter. The same words tend to recur in both genres : they are part of an intertextual play which highlights the richness of his work. |
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