L'événement et l'éventualité : les formes du sublime dans l'œuvre de Don DeLillo
This article takes for its starting point the hypothesis that DeLillo’s interest in the sublime can be first and foremost assimilated to an obsession with setting a limit to the novel. The multiple forms taken by the sublime (forms of the uncertain or the impossible, openly constrained, forced, fabr...
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| Natura: | Article ou chapitre numérique |
| Lingua: | Français |
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2004
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| Accesso online: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |