Du comique bâtard : théorie et pratique du postmodernisme tribal dans les écrits de Gerald Vizenor
Native American writer Gerald Vizenor uses the figure of the trickster as an affirmation of a genetically and textually hybrid, postmodern literary identity. A subversion of both mainstream discourse and idealized visions of the Indian, the trickster is a figure of figuration, a “holotrope” mediatin...
Kaydedildi:
| Yazar: | |
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| Materyal Türü: | Article ou chapitre numérique |
| Dil: | Français |
| Baskı/Yayın Bilgisi: |
2003
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| Konular: | |
| Online Erişim: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Özet: | Native American writer Gerald Vizenor uses the figure of the trickster as an affirmation of a genetically and textually hybrid, postmodern literary identity. A subversion of both mainstream discourse and idealized visions of the Indian, the trickster is a figure of figuration, a “holotrope” mediating between oral and written forms of communication. The status of such ethnic postmodernism remains problematic: does it transcend ethnic literature or is it a new formulation of identity politics? |
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