Du comique bâtard : théorie et pratique du postmodernisme tribal dans les écrits de Gerald Vizenor
Native American writer Gerald Vizenor uses the figure of the trickster as an affirmation of a genetically and textually hybrid, postmodern literary identity. A subversion of both mainstream discourse and idealized visions of the Indian, the trickster is a figure of figuration, a “holotrope” mediatin...
محفوظ في:
| المؤلف الرئيسي: | |
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| التنسيق: | Article ou chapitre numérique |
| اللغة: | Français |
| منشور في: |
2003
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| الموضوعات: | |
| الوصول للمادة أونلاين: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| الملخص: | Native American writer Gerald Vizenor uses the figure of the trickster as an affirmation of a genetically and textually hybrid, postmodern literary identity. A subversion of both mainstream discourse and idealized visions of the Indian, the trickster is a figure of figuration, a “holotrope” mediating between oral and written forms of communication. The status of such ethnic postmodernism remains problematic: does it transcend ethnic literature or is it a new formulation of identity politics? |
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