Stanley Cavell et l'expérience du cinéma
Stanley Cavell is one of the very few renowned American thinkers who have shown interest in the cinema. Whether he studies a genre like “the comedy of remarriage” (Pursuits of Happiness) or the “melodrama of the unknown woman” (Contesting Tears), or whether he ventures on an ontological investigat...
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| Format: | Article ou chapitre numérique |
| Sprache: | Français |
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2001
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| Online Zugang: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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cairn-RFEA_088_0053RFEARevue française d’études américaines https://shs.cairn.info/revue-francaise-d-etudes-americaines-2001-2-page-53?lang=fr https://doi.org/10.3917/rfea.088.0053 Stanley Cavell et l'expérience du cinéma Cerisuelo, Marc2001 fre Revue française d’études américaines | 88 | 2 | 2001-04-01 | p. 53-61 | 0397-7870 RFEA_08874 Stanley Cavell is one of the very few renowned American thinkers who have shown interest in the cinema. Whether he studies a genre like “the comedy of remarriage” (Pursuits of Happiness) or the “melodrama of the unknown woman” (Contesting Tears), or whether he ventures on an ontological investigation (The World Viewed), the philosopher addresses issues which are central to the rest of his work : scepticism, the question of the ordinary, the possibility of thought in America. The originality of Cavell’s discourse resides in its being rooted in the classical Hollywood cinema which, according to him, constitutes one of America’s essential contributions to culture.Cairn free access |
| language |
Français |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/Cairn/ |
| description |
Stanley Cavell is one of the very few renowned American thinkers who have shown interest in the cinema. Whether he studies a genre like “the comedy of remarriage” (Pursuits of Happiness) or the “melodrama of the unknown woman” (Contesting Tears), or whether he ventures on an ontological investigation (The World Viewed), the philosopher addresses issues which are central to the rest of his work : scepticism, the question of the ordinary, the possibility of thought in America. The originality of Cavell’s discourse resides in its being rooted in the classical Hollywood cinema which, according to him, constitutes one of America’s essential contributions to culture. |
| author |
Cerisuelo, Marc |
| spellingShingle |
Cerisuelo, Marc Stanley Cavell et l'expérience du cinéma |
| author_facet |
Cerisuelo, Marc |
| author_sort |
Cerisuelo, Marc |
| title |
Stanley Cavell et l'expérience du cinéma |
| title_short |
Stanley Cavell et l'expérience du cinéma |
| title_full |
Stanley Cavell et l'expérience du cinéma |
| title_fullStr |
Stanley Cavell et l'expérience du cinéma |
| title_full_unstemmed |
Stanley Cavell et l'expérience du cinéma |
| title_sort |
stanley cavell et l'expérience du cinéma |
| publishDate |
2001 |
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https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-francaise-d-etudes-americaines-2001-2-page-53?lang=fr https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rfea.088.0053 |
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