Réflexions sur les manières de « saisir » et de « fixer » une impression en 1874

Around the time of their first exhibition in 1874, the Impressionists were often lauded for their ability to “seize” and “fix” an impression in paint. In contrast to most twentieth-century interpretations of the style that favored the variety and fluidity heralded by impressionist representation, ea...

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Bibliographic Details
Main Author: Dombrowski, André
Format: Article ou chapitre numérique
Language:Français
Published: 2024
Online Access:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM

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https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-de-l-art-2024-1-page-32?lang=fr
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rda.223.0032