Souvenir d’Arcadie au musée Gualtieri
This article adopts a single point of view of art history. The elegant majolica produced at the end of the 17th century in the workshop of Carlo Antonio Grue (1655-1723), as well as those preserved in the “museum” of the Cardinal Filippo Antonio Gualtieri (1660-1728) acted as the extremely sensitive...
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| Format: | Article ou chapitre numérique |
| Langue: | Français |
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2020
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| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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cairn-RDA_209_0023RDARevue de l'art https://shs.cairn.info/revue-de-l-art-2020-3-page-23?lang=fr https://doi.org/10.3917/rda.209.0023 Souvenir d’Arcadie au musée Gualtieri Filipponi, Fernando2020 fre Revue de l'art | 209 | 3 | 2020-09-23 | p. 23-33 | 0035-1326 RDA_20922 This article adopts a single point of view of art history. The elegant majolica produced at the end of the 17th century in the workshop of Carlo Antonio Grue (1655-1723), as well as those preserved in the “museum” of the Cardinal Filippo Antonio Gualtieri (1660-1728) acted as the extremely sensitive developers of the concomitant dynamics that are at work in history and in art. Unfolding in the background was the creation, in 1690, of the Accademia dell’Arcadia, a literary circle where intense rhetorical thought was formed. The close relations joining the artists together oriented their choice, nourishing the political and cultural debate on a European scale and contributed to the birth of modern and up to date taste. Taste that then dictated the programs of interior arrangement as well as the choice of paintings and of objects of art.Cairn free access |
| language |
Français |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/Cairn/ |
| description |
This article adopts a single point of view of art history. The elegant majolica produced at the end of the 17th century in the workshop of Carlo Antonio Grue (1655-1723), as well as those preserved in the “museum” of the Cardinal Filippo Antonio Gualtieri (1660-1728) acted as the extremely sensitive developers of the concomitant dynamics that are at work in history and in art. Unfolding in the background was the creation, in 1690, of the Accademia dell’Arcadia, a literary circle where intense rhetorical thought was formed. The close relations joining the artists together oriented their choice, nourishing the political and cultural debate on a European scale and contributed to the birth of modern and up to date taste. Taste that then dictated the programs of interior arrangement as well as the choice of paintings and of objects of art. |
| author |
Filipponi, Fernando |
| spellingShingle |
Filipponi, Fernando Souvenir d’Arcadie au musée Gualtieri |
| author_facet |
Filipponi, Fernando |
| author_sort |
Filipponi, Fernando |
| title |
Souvenir d’Arcadie au musée Gualtieri |
| title_short |
Souvenir d’Arcadie au musée Gualtieri |
| title_full |
Souvenir d’Arcadie au musée Gualtieri |
| title_fullStr |
Souvenir d’Arcadie au musée Gualtieri |
| title_full_unstemmed |
Souvenir d’Arcadie au musée Gualtieri |
| title_sort |
souvenir d’arcadie au musée gualtieri |
| publishDate |
2020 |
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| container_issue |
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| url |
https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-de-l-art-2020-3-page-23?lang=fr https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rda.209.0023 |
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