Les Vuillard(s) d’André Chastel
André Chastel’s archives in the library of the Institut National d’Histoire de l’Art (INHA, Paris) make it possible to specify the origins, conditions, and methods of his interest for Edouard Vuillard. In June 1942, Vuillard’s nephews commissioned him to produce the first catalogue of the work of th...
Enregistré dans:
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| Format: | Article ou chapitre numérique |
| Langue: | Français |
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2020
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| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Résumé: | André Chastel’s archives in the library of the Institut National d’Histoire de l’Art (INHA, Paris) make it possible to specify the origins, conditions, and methods of his interest for Edouard Vuillard. In June 1942, Vuillard’s nephews commissioned him to produce the first catalogue of the work of the artist, with an introductory study. Chastel explored the workshop where he discovered the artist’s own techniques. He conducted several interviews with Maurice Denis and K.X. Roussel in 1942 and 1943. The catalogue remained unfinished in 1943 due to the context that prevented access to numerous private collections. However, Chastel, as soon as he was commissioned, planned the writing of several essays, beginning with the form of the paragone (Vuillard and Mallarmé, Vuillard and Proust), then concentrating on the monographs. These texts, written and corrected in 1942-1943 would be published after the War, with new, important modifications in the case of the Chêne Editions (1948). The “Vuillard moment” for Chastel was the time to contemplate writing, criticism and history. |
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