Hartung en Amérique
The figure of Hans Hartung is not habitually associated with the American artistic scene. Resulting from an historical construction centered on the mutual rejection of Paris and New York after World War II, this vision does not take into account the numerous initiatives put in place in the 1930s in...
Enregistré dans:
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| Format: | Article ou chapitre numérique |
| Sprog: | Français |
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2019
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| Online adgang: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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cairn-RDA_206_0069 |
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cairn |
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cairn-RDA_206_0069RDARevue de l'art https://shs.cairn.info/revue-de-l-art-2019-4-page-69?lang=fr https://doi.org/10.3917/rda.206.0069 Hartung en Amérique Persilier, Juliette2019 fre Revue de l'art | 206 | 4 | 2019-12-30 | p. 69-74 | 0035-1326 RDA_20695 The figure of Hans Hartung is not habitually associated with the American artistic scene. Resulting from an historical construction centered on the mutual rejection of Paris and New York after World War II, this vision does not take into account the numerous initiatives put in place in the 1930s in order to circulate Hartung’s work in the important locations of the New York art scene. From the reproduction of his works in avant-garde magazines in 1937 to his one man exhibition at the Metropolitan Museum of Art in 1975, as well as his inclusion in prestigious American collections, Hartung succeeded in weaving a solid network of acquaintances in the service of the transatlantic diffusion of his work.Cairn free access |
| language |
Français |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/Cairn/ |
| description |
The figure of Hans Hartung is not habitually associated with the American artistic scene. Resulting from an historical construction centered on the mutual rejection of Paris and New York after World War II, this vision does not take into account the numerous initiatives put in place in the 1930s in order to circulate Hartung’s work in the important locations of the New York art scene. From the reproduction of his works in avant-garde magazines in 1937 to his one man exhibition at the Metropolitan Museum of Art in 1975, as well as his inclusion in prestigious American collections, Hartung succeeded in weaving a solid network of acquaintances in the service of the transatlantic diffusion of his work. |
| author |
Persilier, Juliette |
| spellingShingle |
Persilier, Juliette Hartung en Amérique |
| author_facet |
Persilier, Juliette |
| author_sort |
Persilier, Juliette |
| title |
Hartung en Amérique |
| title_short |
Hartung en Amérique |
| title_full |
Hartung en Amérique |
| title_fullStr |
Hartung en Amérique |
| title_full_unstemmed |
Hartung en Amérique |
| title_sort |
hartung en amérique |
| publishDate |
2019 |
| container_title |
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| container_issue |
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| url |
https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-de-l-art-2019-4-page-69?lang=fr https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rda.206.0069 |
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1877246446224277504 |