Dans l’ombre de l’actualité ? Une analyse transnationale de la critique de films israéliens et palestiniens
Abstract: Renewing work on the relationship between film criticism and politics, this article defines politicisation as an intertextuality between film reviews published in the press and coverage of the Israeli-Palestinian conflict, which is highly debated in the news. From a transnational perspect...
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| Autori principali: | , |
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| Natura: | Article ou chapitre numérique |
| Lingua: | Français |
| Pubblicazione: |
2024
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| Soggetti: | |
| Accesso online: | Accès Université d'Orléans et IFPM |
| Riassunto: | Abstract: Renewing work on the relationship between film criticism and politics, this article defines politicisation as an intertextuality between film reviews published in the press and coverage of the Israeli-Palestinian conflict, which is highly debated in the news. From a transnational perspective, it compares 400 professional French, English, American and Israeli reviews of ten Israeli and Palestinian films released in the 2000-2014 period, when this cinema is enjoying remarkable international success. Based on a quantitative analysis of content and a qualitative analysis of discourse, it confirms that the topicality of the conflict affects film criticism, with different inflections in each of the four countries, depending on: the dominant national political perspective on Israel-Palestine; the journalistic tradition, between American rhetoric of neutrality and more personal French journalism; the perception of cinema on a spectrum ranging from a legitimate art form to commercial entertainment. In all three areas, the influence of national culture on criticism outweighs any political differences that might separate press publications in each country. |
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