Photographier l’œuvre d’art et son environnement : les « vues d’atelier » de Cy Twombly
Cy Twombly is a very private artist. During his lifetime, he did not let anyone enter his atelier while he was painting. A few photographers only were able to capture his homes and studios. But the artist is the best to let us into his creative world, his studios in New York, Rome, Bassano in Taveri...
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| Format: | Article ou chapitre numérique |
| Sprog: | Français |
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2024
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| Online adgang: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Summary: | Cy Twombly is a very private artist. During his lifetime, he did not let anyone enter his atelier while he was painting. A few photographers only were able to capture his homes and studios. But the artist is the best to let us into his creative world, his studios in New York, Rome, Bassano in Taverina or Gaeta and his hometown of Lexington. A recent publication, Cy Twombly: Homes & Studios (Nicola Del Roscio, Schirmer / Mosel, 2019), allows us to observe these workplaces, carefully chosen by the artist. In front of these Twombly photographs, a question arises: how does Twombly use his camera to capture his studio? In this article, we offer an in-depth study of these photographs so as to explore this question and reveal the artist’s different approaches to his creative space. |
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