Lady of Shalott revisitée. L’internalisation de la fonction-auteur à l’ère des créations artificielles
Consider two identical paintings, one created in 1888 by Waterhouse, the other by artificial intelligence. If these two paintings are perceptually indiscernible, are they distinct on an ontological level? Could such a difference affect their spectator reception? In this thought experiment, three axe...
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| Format: | Article ou chapitre numérique |
| Język: | Français |
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2024
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| Dostęp online: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Streszczenie: | Consider two identical paintings, one created in 1888 by Waterhouse, the other by artificial intelligence. If these two paintings are perceptually indiscernible, are they distinct on an ontological level? Could such a difference affect their spectator reception? In this thought experiment, three axes are considered from which one could assume structural differences between the spectator reception of the two works: representation, interpretation of authorial choices, and interpretive constraint. Through these specific questions, a transversal question arises – that of the consideration of the author in the reception of the works and the persistence of their figure despite their factual disappearance. |
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