Sensibilités plastiques avec Balázs et Simondon. Une piste pour penser l’angoisse de l’automatisation
In this article, we explore the anxiety provoked by the emergence of artificial intelligences. This fear is manifest as a concern over the automation of algorithmic machines, namely the exclusion of humans from their internal processes, operations, and the flow of information they generate. We fear...
محفوظ في:
| المؤلف الرئيسي: | |
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| التنسيق: | Article ou chapitre numérique |
| اللغة: | Français |
| منشور في: |
2024
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| الوصول للمادة أونلاين: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| الملخص: | In this article, we explore the anxiety provoked by the emergence of artificial intelligences. This fear is manifest as a concern over the automation of algorithmic machines, namely the exclusion of humans from their internal processes, operations, and the flow of information they generate. We fear losing the ability to intervene in machine activities and, more importantly, to understand them. This emotional reaction is not novel, echoing theoretical discourses from the advent of other technical realities, like cinema. This recurrence in discourse invites us to engage with the fluid conception of sensibility, as depicted in the cinematographic writings of Béla Balázs and Gilbert Simondon’s philosophy of technicity: aesthetics are shaped with and by the technical environment surrounding the perceiving subject, rendering it a relational faculty. Thus, anguish emerges as a catalyst with creative potential, enabling us to construct our relationship with technical realities beyond their automation. |
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