Le gloseur, anticipation critique de l’IA artistique
The novel The Silver Eggheads, by Fritz Leiber anticipated the appearance of machines capable of writing novels in place of humans, 60 years ahead of the process of technological innovation. Indeed, at the start of the 2020s, generative artificial intelligences promise to achieve such performances a...
保存先:
| 第一著者: | |
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| フォーマット: | Article ou chapitre numérique |
| 言語: | Français |
| 出版事項: |
2024
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| オンライン･アクセス: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| 要約: | The novel The Silver Eggheads, by Fritz Leiber anticipated the appearance of machines capable of writing novels in place of humans, 60 years ahead of the process of technological innovation. Indeed, at the start of the 2020s, generative artificial intelligences promise to achieve such performances and replace human authors. Such a possibility was mentioned several other times in science fiction, highlighting the prospective dimension of this literary genre. Such a possibility raises many aesthetic questions. This article proposes an Adornian approach to the question. The author belonging to the Frankfurt School questioned in particular the cultural industry and art as a social phenomenon. Thus, literary works produced by AI are part of class struggles. Will they be able to continue to impose a spirit of human freedom in the face of technostructure, the function of art? Furthermore, the legitimacy of the neo-Luddite revolt against AI in the novel The Silver Eggheads is questioned. |
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