Éléments de prosodie bengalie ou chånda (II)
Known as a land of poetry, Bengal seems to have produced, however, very few studies on its patterns of versification. Bengal’s Nobel laureate poet Rabindranath Tagore speaks of three branches of Bengali metres: (a) based on conventional bookish style, ignoring the sound-image of the spoken languag...
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| 格式: | Article ou chapitre numérique |
| 語言: | Français |
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2018
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| 在線閱讀: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| 總結: | Known as a land of poetry, Bengal seems to have produced, however, very few studies on its patterns of versification. Bengal’s Nobel laureate poet Rabindranath Tagore speaks of three branches of Bengali metres: (a) based on conventional bookish style, ignoring the sound-image of the spoken language; (b) based on the currently spoken language characterized by its hasanta (mute syllables); (c) based on converting the abundant metres from Sanskrit poetry. Even contemporary poets keep on exploring the potentials of these metrical patterns, down more than a thousand years. A parallel investigation rightly leads to discover the importance of the more – as defined by André Martinet – to determine the specific nature of the above-mentioned branches.
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