Éléments de prosodie bengalie ou chånda (I)
Known as a land of poetry, Bengal seems to have produced, however, very few studies on its patterns of versification. Bengal’s Nobel laureate poet Rabindranath Tagore speaks of three branches of Bengali metres : (a) based on conventional bookish style, ignoring the sound-image of the spoken langua...
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| Formatua: | Article ou chapitre numérique |
| Hizkuntza: | Français |
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2017
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| Sarrera elektronikoa: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Gaia: | Known as a land of poetry, Bengal seems to have produced, however, very few studies on its patterns of versification. Bengal’s Nobel laureate poet Rabindranath Tagore speaks of three branches of Bengali metres : (a) based on conventional bookish style, ignoring the sound-image of the spoken language; (b) based on the currently spoken language characterized by its hasanta (mute syllables); (c) based on converting the abundant metres from Sanskrit poetry. Even contemporary poets keep on exploring the potentials of these metrical patterns, down more than a thousand years. A parallel investigation rightly leads to discover the importance of the more – as defined by André Martinet – to determine the specific nature of the above-mentioned branches.
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