Propos sur le cinéma colonial en tant que genre populaire
Saïd TAMBA, On Colonial Cinema as a Popular Genre. At its very beginnings, filmmaking offered the possibility of using images from the colonized parts of the world and those that were in the process of being colonized. In its construction of an extra-European reality, neo-orientalist fantasies were...
Sábháilte in:
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| Formáid: | Article ou chapitre numérique |
| Teanga: | Français |
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2004
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| Rochtain ar líne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Achoimre: | Saïd TAMBA, On Colonial Cinema as a Popular Genre.
At its very beginnings, filmmaking offered the possibility of using images from the colonized parts of the world and those that were in the process of being colonized. In its construction of an extra-European reality, neo-orientalist fantasies were incorporated into an imagined cosmos infused with sexual symbolism and dominated by American production techniques. The advent of decolonization led to the emergence of national cinemas and the possibility of national cinematographic expression in formerly colonized regions, but the limits were rapidly perceived : low production, restricted markets, and problems of distribution and marketing. |
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