L’artiste, le hasard et la liberté
Art sometimes equates to an absence of norms. Yet the concept of a painting, for example, remains defined by a canvas covered in drawings or an assortment of colours, which is then framed to be hung on a wall. In effect, this constitutes a norm, one that locks the viewer’s eye into a pre-established...
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| Main Authors: | , |
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| Format: | Article ou chapitre numérique |
| Language: | Français |
| Published: |
2024
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| Online Access: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Summary: | Art sometimes equates to an absence of norms. Yet the concept of a painting, for example, remains defined by a canvas covered in drawings or an assortment of colours, which is then framed to be hung on a wall. In effect, this constitutes a norm, one that locks the viewer’s eye into a pre-established relationship. For the last sixty years, painter Claude Viallat has strived to break away from this construct. He accepted to answer our questions. |
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