Monumentalizing “The Collective” State-Financed Mural Paintings and Mass Politics, 1934–1940

By analyzing the public mural paintings sponsored by the French state to help artists survive the economic crisis around the time of the Popular Front, this article intends to contribute to the study of the relationship between mass politics and mass culture in the 1930s. After addressing French and...

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Detalles Bibliográficos
Publicado en:French Politics, Culture & Society | 41 | 2 | 2023-12-07 | p. 26-47 | 1537-6370
Autor Principal: Rizzi, Elena Maria Rita
Formato: Article ou chapitre numérique
Idioma:Français
Publicado: 2023
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Acceso en liña:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM

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