Monumentalizing “The Collective” State-Financed Mural Paintings and Mass Politics, 1934–1940
By analyzing the public mural paintings sponsored by the French state to help artists survive the economic crisis around the time of the Popular Front, this article intends to contribute to the study of the relationship between mass politics and mass culture in the 1930s. After addressing French and...
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| Udgivet i: | French Politics, Culture & Society | 41 | 2 | 2023-12-07 | p. 26-47 | 1537-6370 |
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| Format: | Article ou chapitre numérique |
| Sprog: | Français |
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2023
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| Online adgang: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |