Résister par l’enjaillement. Danser le coupé-décalé à Abidjan (Côte d’Ivoire)
When coupé-décalé first appeared in 2002, Ivory Coast was in the throes of a military-political crisis that had a profound effect on the lives of Ivorians. While Ivorian reggae took up the themes of Ivorian identity and xenophobia, evoking “resistance”, “liberation” and “patriotism”, the promoters o...
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| Auteurs principaux: | , |
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| Formato: | Article ou chapitre numérique |
| Idioma: | Français |
| Publicado em: |
2024
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| Acesso em linha: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Resumo: | When coupé-décalé first appeared in 2002, Ivory Coast was in the throes of a military-political crisis that had a profound effect on the lives of Ivorians. While Ivorian reggae took up the themes of Ivorian identity and xenophobia, evoking “resistance”, “liberation” and “patriotism”, the promoters of coupé-décalé set out to promote joy and excitement. This article reviews these struggles, which are not put into words nor intellectualized, but embodied and played out in extra-ordinary body techniques. |
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