Jacobus Faber (c. 1500-c. 1550), un graveur français à Bâle

The metal engraver from Lorraine, Jacobus Faber, worked in Basel from at least 1518 until 1523/24 mostly for the Basel printer Johannes Froben. From as early as June 1518, one can find in Froben’s books borders in the French style, which Faber brought probably from Paris or Lyon. When Hans Holbein l...

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Détails bibliographiques
Auteur principal: Hieronymus, Frank
Format: Article ou chapitre numérique
Langue:Français
Publié: 2005
Accès en ligne:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
Description
Résumé:The metal engraver from Lorraine, Jacobus Faber, worked in Basel from at least 1518 until 1523/24 mostly for the Basel printer Johannes Froben. From as early as June 1518, one can find in Froben’s books borders in the French style, which Faber brought probably from Paris or Lyon. When Hans Holbein left Lucerne for Basel in 1519, there appear in Froben’s output (besides wood engravings by Hans Herman, and later by Hans Lützelburger, from drawings by the famous Augsburg illustrator) metal engraved title borders and initials from designs by Holbein, based on subjects suggested by his collaborator, the philologist Beatus Rhenanus, and bearing Faber’s monogram (Herman and Liitzelburger also monogrammed their engravings). From 1522 engravings by Faber can be found in work produced by other Basel printers such as Andreas Cratender, Adam Petri, Valentinus Curio, and Johannes Bebel. While working for Cratender, Faber met his collaborator, the future Basel reformer Johannes Oecolompadius, author and publisher, notably of the commentaries on the Gospels of Jacques Lefevre of Etaples, which appeared in 1523, shortly after the original Paris edition of 1522. Faber acted as messenger between the reformers of Basel and those of Paris such as Jacques Lefèvre and Guillaume Farel. After he left Basel in 1523/24, Faber continued to engrave borders and illustrations for French publishers in Paris and Lyons; he was thus the means by which Holbein’s style spread into French publishing. In 1534/35, Jacques Lefevre, dit le Tailleur d’histoires was indicted in Paris accused of heresy, but was discharged; he died in Paris or Lyon around 1550.