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An Aesthetics of « Disart ». The revival in the contemporary philosophical inquiry on art is characterised by a concentration on the aesthetic dimension (judgements of taste, reception), exclusive of other dimensions. The effect of this is to subordinate art to aesthetics, establishing aesthetics...
Kaydedildi:
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| Materyal Türü: | Article ou chapitre numérique |
| Dil: | Français |
| Baskı/Yayın Bilgisi: |
2003
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| Online Erişim: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Özet: | An Aesthetics of « Disart ».
The revival in the contemporary philosophical inquiry on art is characterised by a
concentration on the aesthetic dimension (judgements of taste, reception), exclusive of other
dimensions. The effect of this is to subordinate art to aesthetics, establishing aesthetics as the sole
mode through which art is conceptually addressed. To counter such a reduction, the article returns
to the question formulated by Lukács – works of art exist, how are they possible? The article
briefly outlines a number of possible developments leading on from this question, in particular the
question of the immanent and reciprocal dialectic linking the aesthetic to the artistic, and the
profound changes which have occurred in the field of art and in its various practices – including
aesthetics- during the twentieth century. |
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