Des interventions sociales des artistes et de la fonction critique de l'art aujourd'hui
The aim of this article is to demonstrate in what terms, and how, Marxist thinking moved from an ontological thesis, by which communism is defined as a mode of production of the communal absolute, to a radically new political thesis, where the proletariat is envisaged both as (1) a principle of unbi...
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| Formatua: | Article ou chapitre numérique |
| Hizkuntza: | Français |
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2000
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| Sarrera elektronikoa: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Gaia: | The aim of this article is to demonstrate in what terms, and how, Marxist thinking moved from an ontological thesis, by which communism is defined as a mode of production of the communal absolute, to a radically new political thesis, where the proletariat is envisaged both as (1) a principle of unbinding, and (2) as that force which has within itself the potentiality of acceding, by way of contingency, to the political. |
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