Analysis, Synthesis, and Perception of Musical Sounds : The Sound of Music

Analysis, Synthesis, and Perception of Musical Sounds contains a detailed treatment of basic methods for analysis and synthesis of musical sounds, including the phase vocoder method, the McAulay-Quatieri frequency-tracking method, the constant-Q transform, and methods for pitch tracking with several...

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Библиографические подробности
Главный автор: Beauchamp, James W.
Формат: Livre numérique
Язык:Anglais
Опубликовано: New York, NY : Springer New York : Springer e-books [20..].
Cham : Springer Nature
Серии:Modern Acoustics and Signal Processing
Online-ссылка:Accès sur la plateforme de l'éditeur
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Accès Université d'Orléans
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Примечание: Archives Springer e-books (Licence nationale)
Archives Springer e-books (Licence nationale)
Autres localisations: Voir dans le Sudoc
Edition sous un autre format:• Analysis, synthesis, and perception of musical sounds, the sound of music, James W. Beauchamp, editor,..., New York, Springer, 2007, 1 vol. (XXIV-325 p.), Modern acoustics and signal processing, 0-387-32496-8
Оглавление:
  • Analysis and Synthesis of Musical Instrument Sounds Fundamental Frequency Tracking and Applications to Musical Signal Analysis Beyond Traditional Sampling Synthesis: Real-Time Timbre Morphing Using Additive Synthesis A Compact and Malleable Sines+Transients+Noise Model for Sound Spectral Envelopes and Additive + Residual Analysis/Synthesis A Comparison of Wavetable and FM Data Reduction Methods for Resynthesis of Musical Sounds The Effect of Dynamic Acoustical Features on Musical Timbre Mental Representation of the Timbre of Complex Sounds