Robert Ryman
"This volume is a comprehensive study highlighting the interplay of context and meaning in Robert Ryman's work. Featuring new photography and original essays by a formidable array of scholars and curators, the book is the most expansive and thorough investigation of the work of American pa...
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| Drugi avtorji: | , |
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| Format: | Livre papier |
| Jezik: | Anglais |
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New York : New Haven (Conn.) ; London :
Dia art foundation ; in association with Yale university press
C 2017.
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Publié à l'occasion de l'exposition Robert Ryman, Dia:Chelsea, New York, 9 décembre 2015 - 30 juillet 2016, et de l'installation Robert Ryman, Dia-Beacon, Beacon, New York Certains essais trouvent leur origine dans le symposium tenu à : Dia:Beacon le 12 mars, 2016 et à Dia:Chelsea le 21 mai 2016." |
| Autres localisations: | Voir dans le Sudoc |
| Variante du titre: | Exposition., New York, Dia Art Foundation, 2015, 2016 Exposition., Beacon, New York, Dia Art Foundation, 2015, 2016 |
| Izvleček: | "This volume is a comprehensive study highlighting the interplay of context and meaning in Robert Ryman's work. Featuring new photography and original essays by a formidable array of scholars and curators, the book is the most expansive and thorough investigation of the work of American painter Robert Ryman in over two decades. Arguing that the relationships between his paintings are key to understanding his diverse output, the book offers more faithful reproductions and subtler details of the paintings than have previously been available, and attends closely to the artist's own strategies of display. Ryman's paintings are readily identified by their predominantly achromatic surfaces, but his exploration of the values and effects of white was never limited to paint. His experimentations with canvas, board, paper, aluminum, fiberglass, and Plexiglas have evolved into a material vocabulary as revolutionary as his use of white. The texts featured here reflect on the importance of Ryman's practice to contemporary art: Robert Storr, curator of Ryman's 1993 retrospective, places the painter in historical context while Courtney J. Martin, curator of his 2015-16 exhibition at Dia Chelsea, looks at Ryman's three-dimensional works. Drawings scholar Allegra Pesenti investigates his drawing practice; music historian John Szwed traces the influence of jazz in Ryman's early works; and artist Charles Gaines asks what, in a Ryman, is real" |
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| Opis knjige/članka: | Publié à l'occasion de l'exposition Robert Ryman, Dia:Chelsea, New York, 9 décembre 2015 - 30 juillet 2016, et de l'installation Robert Ryman, Dia-Beacon, Beacon, New York Certains essais trouvent leur origine dans le symposium tenu à : Dia:Beacon le 12 mars, 2016 et à Dia:Chelsea le 21 mai 2016." |
| Fizični opis: | 1 vol. (335 p.) : ill. en noir et en coul. ; 26 cm. |
| Bibliografija: | Notes bibliogr. Index |
| ISBN: | 9780300226713 0300226713 (rel) |