A Catalogue Raisonné of Scientific Instruments from the Louvain School, 1530-1600

This object-based study concentrates on scientific instruments made in Louvain between c. 1530 and c.1600, a period in which the university fell from the peak of its importance into a state of decline. The instruments are characterised by elaborate decoration and by numerous technical innovations. T...

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Autor principal: Van Cleempoel, Koenraad, 1971-
Format: Livre numérique
Idioma:Anglais
Publicat: Turnhout : Brepols (éditions) 2002.
Turnhout : Brepols Publishers
Col·lecció:De Diversis Artibus 65 (NS 28)
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Accès Université d'Orléans
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Sumari:This object-based study concentrates on scientific instruments made in Louvain between c. 1530 and c.1600, a period in which the university fell from the peak of its importance into a state of decline. The instruments are characterised by elaborate decoration and by numerous technical innovations. The book comprises two parts: an introduction followed by a catalogue raisonné of almost ninety instruments from the Louvain masters, both signed and unsigned ones. The introduction outlines the circumstances of the foundation of this Louvain school of instrument makers , which entailed the merging of an intellectual center (based in the university) and a material culture (based in the workshops). A similar symbiosis occurred elsewhere in Europe, but never on the scale of Louvain. The presence of the Spanish Court in Brussels around 1540-1550 helped to provide the workshops with important commissions. Their role as a Maecenas is also discussed. The most important instrument makers were Gerard Mercator, Michael Piquer, Gualterus Arsenius, Adrian Descrolières and Adrian Zeelst. Little was previously known about these men - apart perhaps from Mercator - and even less about the output of their workshops. This book attempts to present for the first time a comprehensive survey of these workshops and how they may have influenced one another.
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Brepols e-books (Licence nationale)
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ISBN:9782503561219
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