Heinrich Isaac and polyphony for the proper of the mass in the late Middle Ages and the Renaissance

The important contribution of Heinrich Isaac (ca. 1455-1517) to the genre of the proper of the mass has long been recognised. His work in this genre, collected in the monumental posthumously published Choralis Constantinus, was considered a landmark even in the sixteenth century. Yet Isaac s magnum...

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Bibliographic Details
Other Authors: Burn, David J., 1974- (Editor), Gasch, Stephan, 1974- (Editor)
Format: Livre numérique
Language:Anglais
Published: Turnhout : Brepols (éditions) 2011.
Turnhout : Brepols Publishers
Series:Epitome musical
Subjects:
Online Access:Accès sur la plateforme de l'éditeur
Accès sur la plateforme ISTEX
Accès Université d'Orléans
Note: Notice rédigée d'après la consultation du 2012-11-03
L'impression du document génère 438 p.
Titre provenant de l'écran d'accueil
Numérisation de l'édition de Turnhout : Brepols, 2011
Brepols e-books (Licence nationale)
Autres localisations: Voir dans le Sudoc
Edition sous un autre format:• Heinrich Isaac and polyphony for the proper of the mass in the late Middle Ages and the Renaissance, edited by David J. Burn and Stefan Gasch, Turnhout, Brepols, Centre d'études supérieures de la Renaissance, 2011, 1 vol. (438 p.), Epitome musical, 978-2-503-54249-2
Table of Contents:
  • Chant adorned : the polyphonic mass proper in the Later Middle Ages and Renaissance / David J. Burn & Stefan Gasch
  • The medieval mass proper, and the arrival of polyphonic proper settings in Central Europe / Reinhard Strohm
  • Renaissance Portugal
  • Heinrich Isaac's Choralis Constantinus
  • Tradition and renewal
  • Fragments of fifteenth-century northern propers in Portugal / Bernadette Nelson
  • The Liber introitus of Miguel da Fonseca, and a possible improvisatory model / João Pedro D'Alvarenga & Manuel Pedro Ferreira
  • Isaac's unfinished imperial cycle : a new hypothesis / David Rothenberg
  • The Choralis Constantinus and the organ / William P. Mahrt
  • Isaac, the mass proper, and the motet / Anthony M. Cummings
  • Who devised the proportional notation in Isaac's Choralis Constantinus? / Ruth I. DeFord
  • Commercialising the Choralis Constantinus : the printing and publishing of the first edition / Royston Gustavson
  • Getting proper-ly started : Heinrich Isaac's Choralis Constantinus and the introduction of polyphonic mass propers in South-German monasteries / Barbara Eichner
  • Leonhard Paminger's manuscript of mass propers / David J. Burn.
  • Beyond Munich : Senfl's propers in prints and manuscripts / Stefan Gasch
  • Mass propers in the choirbooks of the Benedictine Abbey of SS. Ulrich and Afra in Augsburg (1575-1614) : between tradition and reform / Tobias Rimek
  • Polyphonic mass propers from the Braunsberg Jesuit Collegium and their local context / Agnieszka Leszczyńska
  • The proper of the mass in sixteenth- and early-seventeenth-century Lutheran liturgies and its relationships with other types of De Tempore cycle / Mattias Lundberg
  • Byrd and the mass proper tradition / Kerry McCarthy.
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