Heinrich Isaac and polyphony for the proper of the mass in the late Middle Ages and the Renaissance
The important contribution of Heinrich Isaac (ca. 1455-1517) to the genre of the proper of the mass has long been recognised. His work in this genre, collected in the monumental posthumously published Choralis Constantinus, was considered a landmark even in the sixteenth century. Yet Isaac s magnum...
Enregistré dans:
| Andre forfattere: | , |
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| Format: | Livre numérique |
| Sprog: | Anglais |
| Udgivet: |
Turnhout :
Brepols (éditions)
2011.
Turnhout : Brepols Publishers |
| Serier: | Epitome musical
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| Fag: | |
| Online adgang: | Accès sur la plateforme de l'éditeur Accès sur la plateforme ISTEX Accès Université d'Orléans |
| Kommentar: |
Notice rédigée d'après la consultation du 2012-11-03 L'impression du document génère 438 p. Titre provenant de l'écran d'accueil Numérisation de l'édition de Turnhout : Brepols, 2011 Brepols e-books (Licence nationale) |
| Autres localisations: | Voir dans le Sudoc |
| Edition sous un autre format: | • Heinrich Isaac and polyphony for the proper of the mass in the late Middle Ages and the Renaissance, edited by David J. Burn and Stefan Gasch, Turnhout, Brepols, Centre d'études supérieures de la Renaissance, 2011, 1 vol. (438 p.), Epitome musical, 978-2-503-54249-2 |
| Summary: | The important contribution of Heinrich Isaac (ca. 1455-1517) to the genre of the proper of the mass has long been recognised. His work in this genre, collected in the monumental posthumously published Choralis Constantinus, was considered a landmark even in the sixteenth century. Yet Isaac s magnum opus was by no means isolated. The mass proper played a much greater and more significant musical and symbolic role in the landscape of later-medieval and Renaissance music-making than is currently acknowledged. The present collection of fifteen essays offers new insights into both Isaac's mass propers themselves, which are still shrouded by many enigmas, and their context within broader later-fifteenth and sixteenth-century mass proper traditions. The circumstances under which Isaac's mass propers were composed, performed, and transmitted are discussed afresh, as is the striking late-sixteenth-century reception that the Choralis experienced. Studies of previously unknown or little-examined mass proper collections from countries as widely seperated as Portugal and Poland, as well as of the transformation of the genre in Lutheran territories and in the hands of William Byrd, show that Isaac's enterprise, though the largest of its kind, was built on and embedded in a strong and ongoing tradition of proper settings and cycles. |
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| Emne beskrivelse: | Notice rédigée d'après la consultation du 2012-11-03 L'impression du document génère 438 p. Titre provenant de l'écran d'accueil Numérisation de l'édition de Turnhout : Brepols, 2011 Brepols e-books (Licence nationale) |
| Format: | Navigateur Internet ; lecteur de fichiers PDF |
| Bibliografi: | Notes bibliogr. en bas de pages |
| ISBN: | 9782503542645 |
| Adgang: | Conditions particulières de réutilisation pour les bénéficiaires des licences nationales. https://www.licencesnationales.fr/brepols-contrat-licence-ln-2017 Accès en ligne pour les établissements français bénéficiaires des licences nationales Accès soumis à abonnement pour tout autre établissement |