Early Italian art : Art History
Oscillating between the majesty of the Greco-Byzantine tradition and the modernity predicted by Giotto, Early Italian Painting addresses the first important aesthetic movement that would lead to the Renaissance, the Italian Primitives. Trying new mediums and techniques, these revolutionary artists n...
Uloženo v:
| Hlavní autoři: | , , |
|---|---|
| Médium: | Livre numérique |
| Jazyk: | Anglais |
| Vydáno: |
New York, NY :
Parkstone International
2024.
Paris : Cyberlibris |
| On-line přístup: | Accès Université d'Orléans et IFPM |
| Poznámka: |
Couverture. https://static2.cyberlibris.com/books_upload/136pix/9798894050058.jpg Cyberlibris (ScholarVox) Corpus Arts |
| Autres localisations: | Voir dans le Sudoc |
| Edition sous un autre format: | • Early Italian art, Art History, Joseph Archer Crowe, Giovanni Battista Cavalcaselle, Anna Jameson, New York, NY, Parkstone International, 2024, 1 vol. (72 p.), 978-16-8325-920-6 |
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| 020 | |a 9798894050058 | ||
| 041 | 0 | |a eng | |
| 100 | 1 | |a Crowe, Joseph Archer, |d 1825-1896. | |
| 245 | 1 | 0 | |a Early Italian art : |b Art History |c Joseph Archer Crowe, Giovanni Battista Cavalcaselle, Anna Jameson. |
| 260 | |a New York, NY : |b Parkstone International. | ||
| 260 | |a Paris : |b Cyberlibris, |c 2024. | ||
| 500 | |a Couverture. https://static2.cyberlibris.com/books_upload/136pix/9798894050058.jpg | ||
| 500 | |a Cyberlibris (ScholarVox) Corpus Arts | ||
| 506 | |a L'accès en ligne est réservé aux établissements ou bibliothèques ayant souscrit l'abonnement. Cyberlibris | ||
| 520 | |a Oscillating between the majesty of the Greco-Byzantine tradition and the modernity predicted by Giotto, Early Italian Painting addresses the first important aesthetic movement that would lead to the Renaissance, the Italian Primitives. Trying new mediums and techniques, these revolutionary artists no longer painted frescoes on walls, but created the first mobile paintings on wooden panels. The visages of the figures were painted to shock the spectator in order to emphasise the divinity of the character being represented. The bright gold leafed backgrounds were used to highlight the godliness of the subject. The elegance of both line and colour were combined to reinforce specific symbolic choices. Ultimately the Early Italian artists wished to make the invisible-visible. In this magnificent book, the authors emphasise the importance that the rivalry between the Sienese and Florentine schools played in the evolution of art history. The reader, in the course of these forgotten masterworks, will discover how the sacred began to take a more human form, opening a discrete but definitive door through the use of anthropomorphism, a technique that would be cherished by the Renaissance | ||
| 700 | 1 | |a Cavalcaselle, Giovanni Battista, |d 1820-1897. |4 aut | |
| 700 | 1 | |a Jameson, Anna Brownell, |d 1794-1860. |4 aut | |
| 776 | 0 | |t Early Italian art |o Art History |f Joseph Archer Crowe, Giovanni Battista Cavalcaselle, Anna Jameson |c New York, NY |n Parkstone International |d 2024 |p 1 vol. (72 p.) |z 978-16-8325-920-6 | |
| 856 | 4 | |5 452349901:838598587 |u https://ezproxy.univ-orleans.fr/login?qurl=https://univ.scholarvox.com/book/88960449 |z Accès Université d'Orléans et IFPM | |
| 997 | |0 1257404 |1 Livre numérique |a Ressource numérique |b INSA |b ENSA |c 0/Bibliothèque numérique/ |c 1/Bibliothèque numérique/ScholarVox (ebooks)/ | ||