Early Italian art : Art History

Oscillating between the majesty of the Greco-Byzantine tradition and the modernity predicted by Giotto, Early Italian Painting addresses the first important aesthetic movement that would lead to the Renaissance, the Italian Primitives. Trying new mediums and techniques, these revolutionary artists n...

Descripció completa

Guardat en:
Dades bibliogràfiques
Autors principals: Crowe, Joseph Archer, 1825-1896, Cavalcaselle, Giovanni Battista, 1820-1897 (Autor), Jameson, Anna Brownell, 1794-1860 (Autor)
Format: Livre numérique
Idioma:Anglais
Publicat: New York, NY : Parkstone International 2024.
Paris : Cyberlibris
Accés en línia:Accès Université d'Orléans et IFPM
Nota: Couverture. https://static2.cyberlibris.com/books_upload/136pix/9798894050058.jpg
Cyberlibris (ScholarVox) Corpus Arts
Autres localisations: Voir dans le Sudoc
Edition sous un autre format:• Early Italian art, Art History, Joseph Archer Crowe, Giovanni Battista Cavalcaselle, Anna Jameson, New York, NY, Parkstone International, 2024, 1 vol. (72 p.), 978-16-8325-920-6
Descripció
Sumari:Oscillating between the majesty of the Greco-Byzantine tradition and the modernity predicted by Giotto, Early Italian Painting addresses the first important aesthetic movement that would lead to the Renaissance, the Italian Primitives. Trying new mediums and techniques, these revolutionary artists no longer painted frescoes on walls, but created the first mobile paintings on wooden panels. The visages of the figures were painted to shock the spectator in order to emphasise the divinity of the character being represented. The bright gold leafed backgrounds were used to highlight the godliness of the subject. The elegance of both line and colour were combined to reinforce specific symbolic choices. Ultimately the Early Italian artists wished to make the invisible-visible. In this magnificent book, the authors emphasise the importance that the rivalry between the Sienese and Florentine schools played in the evolution of art history. The reader, in the course of these forgotten masterworks, will discover how the sacred began to take a more human form, opening a discrete but definitive door through the use of anthropomorphism, a technique that would be cherished by the Renaissance
Descripció de l’ítem:Couverture. https://static2.cyberlibris.com/books_upload/136pix/9798894050058.jpg
Cyberlibris (ScholarVox) Corpus Arts
ISBN:9798894050058
Accés:L'accès en ligne est réservé aux établissements ou bibliothèques ayant souscrit l'abonnement. Cyberlibris