Differencing the canon : feminist desire and the writing of art's histories

In this major book, Griselda Pollock engages boldly in the culture wars over `what is the canon?` and `what difference can feminism make?` Do we simply reject the all-male line-up and satisfy our need for ideal egos with an all women litany of artistic heroines? Or is the question a chance to resist...

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Bibliografski detalji
Glavni autor: Pollock, Griselda, 1949-
Format: Livre papier
Jezik:Anglais
Izdano: London ; New York : Routledge C 1999.
Serija:Re visions
Teme:
Autres localisations: Voir dans le Sudoc
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100 1 |a Pollock, Griselda,  |d 1949- 
245 1 0 |a Differencing the canon :  |b feminist desire and the writing of art's histories   |c Griselda Pollock. 
260 |a London ;  |a New York :  |b Routledge. 
260 |c C 1999. 
300 |a 1 volume (XVIII-345 pages) :  |b ill, couv.ill. ;  |c 25 cm. 
490 1 |a Re visions 
504 |a Bibliogr. p. 318-327. Index 
520 |a In this major book, Griselda Pollock engages boldly in the culture wars over `what is the canon?` and `what difference can feminism make?` Do we simply reject the all-male line-up and satisfy our need for ideal egos with an all women litany of artistic heroines? Or is the question a chance to resist the phallocentric binary and allow the ambiguities and complexities of desire - subjectivity and sexuality - to shape the readings of art that constantly displace the present gender demarcations? 
650 |a Féminisme et art 
650 |a Historiennes de l'art  |x Psychologie 
650 |a Psychanalyse et féminisme 
650 |a Femmes  |x Dans l'art 
650 |a Art  |x Appréciation 
650 |a Femmes critiques d'art 
997 |0 1242214  |1 Livre papier  |a Ressource papier  |b ENSA  |c 0/Bourges/  |c 1/Bourges/ENSA/  |z Bourges, ENSA, TH POLL hist-art