Differencing the canon : feminist desire and the writing of art's histories
In this major book, Griselda Pollock engages boldly in the culture wars over `what is the canon?` and `what difference can feminism make?` Do we simply reject the all-male line-up and satisfy our need for ideal egos with an all women litany of artistic heroines? Or is the question a chance to resist...
Guardado en:
| Autor principal: | |
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| Formato: | Livre papier |
| Lenguaje: | Anglais |
| Publicado: |
London ; New York :
Routledge
C 1999.
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| Colección: | Re visions
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| Materias: | |
| Autres localisations: | Voir dans le Sudoc |
| Sumario: | In this major book, Griselda Pollock engages boldly in the culture wars over `what is the canon?` and `what difference can feminism make?` Do we simply reject the all-male line-up and satisfy our need for ideal egos with an all women litany of artistic heroines? Or is the question a chance to resist the phallocentric binary and allow the ambiguities and complexities of desire - subjectivity and sexuality - to shape the readings of art that constantly displace the present gender demarcations? |
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| Descripción Física: | 1 volume (XVIII-345 pages) : ill, couv.ill. ; 25 cm. |
| Bibliografía: | Bibliogr. p. 318-327. Index |
| ISBN: | 0415066999 (rel.) 0415067006 (br.) |