Black lives under Nazism : making history visible in literature and art

In a little-known chapter of World War II, Black people living in Nazi Germany and occupied Europe were subjected to ostracization, forced sterilization, and incarceration in internment and concentration camps. In the absence of public commemoration, African diaspora writers and artists have preserv...

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Dades bibliogràfiques
Autor principal: Casteel, Sarah Phillips, 1974-
Format: Livre numérique
Idioma:Anglais
Publicat: New York : Columbia University Press 2024.
Paris : Cyberlibris
Matèries:
Accés en línia:Accès Université Orléans et IFPM 
Nota: Couverture. https://static2.cyberlibris.com/books_upload/136pix/cast21196_front.jpg
Cyberlibris (ScholarVox) Corpus Lettres
Autres localisations: Voir dans le Sudoc
Edition sous un autre format:• Black lives under Nazism, making history visible in literature and art, Sarah Phillips Casteel, 2024, New York, Columbia University Press, 1 volume (XIII-253 pages), Black lives in the diaspora: past / present / future, 978-0-2312-1197-0
Descripció
Sumari:In a little-known chapter of World War II, Black people living in Nazi Germany and occupied Europe were subjected to ostracization, forced sterilization, and incarceration in internment and concentration camps. In the absence of public commemoration, African diaspora writers and artists have preserved the stories of these forgotten victims of the Third Reich. Their works illuminate the relationship between creative expression and wartime survival and the role of art in the formation of collective memory. This groundbreaking book explores a range of largely overlooked literary and artistic works that challenge the invisibility of Black wartime history. Emphasizing Black agency, Sarah Phillips Casteel examines both testimonial art by victims of the Nazi regime and creative works that imaginatively reconstruct the wartime period. Among these are the internment art of Caribbean painter Josef Nassy, the survivor memoir of Black German journalist Hans J. Massaquoi, the jazz fiction of African American novelist John A. Williams and Black Canadian novelist Esi Edugyan, and the photomontages of Scottish Ghanaian visual artist Maud Sulter. Bridging Black and Jewish studies, this book identifies the significance of African diaspora experiences and artistic expression for Holocaust history, memory, and representation
Descripció de l’ítem:Couverture. https://static2.cyberlibris.com/books_upload/136pix/cast21196_front.jpg
Cyberlibris (ScholarVox) Corpus Lettres
Bibliografia:Bibliographie pages [227]-239. Notes bibliographiques. Index
ISBN:9780231559140
Accés:L'accès en ligne est réservé aux établissements ou bibliothèques ayant souscrit l'abonnement. Cyberlibris