On Reenactment: Concepts, Methodologies, Tools
This book brings together dance and visual arts scholars to investigate the key methodological and theoretical issues concerning reenactment. Along with becoming an effective and widespread contemporary artistic strategy, reenactment is taking shape as a new anti-positivist approach to the history o...
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| Main Authors: | , , , , , , , , , , , , , , , , , |
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| Other Authors: | , |
| Format: | Livre numérique |
| Language: | Anglais |
| Published: |
Torino :
Accademia University Press
2022.
Marseille : OpenEdition |
| Series: | Mimesis Journal Books
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| Subjects: | |
| Online Access: | https://books.openedition.org/aaccademia/11990 Accès Université d'Orléans et IFPM ; Accès complet au document dans sa version HTML. Pas d'accès aux autres formats (PDF, Epub). |
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Autre(s) auteur(s) : Aurore Després, Timmy De Laet, Susanne Foellmer, Francesca Franco, Susanne Franco, Mark Franko, Gabriella Giannachi, Matteo Lucchetti, Sven Lütticken, Stefano Mudu, Gabi Ngcobo, Lucia Ruprecht, Gerald Siegmund, Daniel Temkin, Susanne Traub OpenEdition Books (freemium) |
| Autres localisations: | Voir dans le Sudoc |
| Edition sous un autre format: | • On Reenactment: Concepts, Methodologies, Tools, Torino, Accademia University Press, 9791255000174 |
| Summary: | This book brings together dance and visual arts scholars to investigate the key methodological and theoretical issues concerning reenactment. Along with becoming an effective and widespread contemporary artistic strategy, reenactment is taking shape as a new anti-positivist approach to the history of dance and art, undermining the notion of linear time and suggesting new temporal encounters between past, present, and future. As such, reenactment has contributed to a move towards different forms of historical thinking and understanding that embrace cultural studies especially intertwining gender, postcolonial, and environmental issues in the redefinition of knowledge, historical discourses, and memory. This approach also involves questioning canons and genealogies by destabilising authorship and challenging both institutional and direct forms of transmission. The structure of the book playfully recalls that of a theatrical performance, with both an overture and prelude, to provide space for a series of theoretical and practice-based insights the solos and conversations the duets by artists, critics, curators, and theorists who have dealt with reenactment. The main purpose of this book is to demonstrate how reenactment as a strategy of appropriation, circulation, translation, and transmission can contribute to understanding history both in its perpetual becoming and as a process of reinvention, renarration, and resignification from an interdisciplinary perspective |
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| Item Description: | Autre(s) auteur(s) : Aurore Després, Timmy De Laet, Susanne Foellmer, Francesca Franco, Susanne Franco, Mark Franko, Gabriella Giannachi, Matteo Lucchetti, Sven Lütticken, Stefano Mudu, Gabi Ngcobo, Lucia Ruprecht, Gerald Siegmund, Daniel Temkin, Susanne Traub OpenEdition Books (freemium) |
| Access: | Accès libre Accès libre Accès libre |