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      <title>Avant-propos</title>
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      <title>Foreword</title>
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      <title>Shakespeare dans Candy : mais est-ce vraiment pour les enfants ?</title>
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      <title>Hamlet dans la culture populaire : le cas du Stick Figure Hamlet de Dan Carroll</title>
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      <title>Love’s Labour’s Lost and Much Ado About Nothing: An Early Diptych?</title>
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      <title>Enter Shakespeare’s Young Hamlet, 1589</title>
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      <title>Jeunesses de Shakespeare</title>
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      <title>Young Shakespeare/Late Shakespeare: The Case of Pericles</title>
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      <title>Learning to be Boys: Reading the Lessons of Shakespeare’s Love’s Labour’s Lost and Marston’s What You Will</title>
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      <title>« So young, and so untender? » : le don du père à la jeune génération dans Le Roi Lear</title>
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      <title>“A Classic for the Elders”: Marketing Charles and Mary Lamb in the Nineteenth Century</title>
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      <title>“Appertaining to thy young days”: The End of the Academe in Love’s Labour’s Lost and A Curriculum for the Future</title>
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      <title>“Shakespeare and Science”: A Critical Assessment</title>
      <pubDate>Thu, 01 Jan 2015 16:13:21 +0100</pubDate>
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      <author>Chiari, Sophie</author>
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      <title>Commemoration as Nation-Building: The Case of Finland, 1916</title>
      <pubDate>Thu, 01 Jan 2015 16:13:21 +0100</pubDate>
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      <author>Keinänen, Nely</author>
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      <title>Akimov and Shostakovich’s Hamlet: a Soviet ‘Shakesperiment’</title>
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      <author>Assay, Michelle</author>
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      <title>“To thine ownself be true”: dealing with opacity and solving riddles in the Ukrainian translations of Hamlet</title>
      <pubDate>Thu, 01 Jan 2015 16:13:21 +0100</pubDate>
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      <title>Satirical expectations: Shakespeare’s Inns of Court audiences</title>
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      <author>Watson, Jackie</author>
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      <title>“The Theatre of the Invisible-Made-Visible”: Shakespeare and the Politics of Perception</title>
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      <author>Ryan, Kiernan</author>
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      <title>Shakespearean Girlhoods in Contemporary Australian Young Adult Fiction</title>
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      <author>Hateley, Erica</author>
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      <title>Middleton beyond the Canon</title>
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      <author>Guardamagna, Daniela</author>
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      <title>Fun, Frolic and Shakespeare: Kalyani Ishtyle</title>
      <pubDate>Thu, 01 Jan 2015 16:13:21 +0100</pubDate>
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      <title>“Perfect Conscience”: Hamlet, Christopher St. German’s Doctor and Student, and the English Common Law</title>
      <pubDate>Thu, 01 Jan 2015 16:13:21 +0100</pubDate>
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      <author>Sale, Carolyn</author>
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      <title>“Be stone no more”: Maternity and Heretical Visual Art in Shakespeare’s Late Plays</title>
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      <author>Del Sapio Garbero, Maria</author>
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      <title>“Your Painted Counterfeit”. The paragone between portraits and sonnets in Shakespeare’s work</title>
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      <author>Caporicci, Camilla</author>
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      <title>“Quick Comedians”: Mary Sidney, Samuel Daniel and the Theatrum Mundi in Shakespeare’s Antony and Cleopatra</title>
      <pubDate>Thu, 01 Jan 2015 16:13:21 +0100</pubDate>
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      <author>Cadman, Daniel</author>
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      <title>The Post-Shakespearean Body Politic in Jeff Noon’s Vurt</title>
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      <author>Iyengar, Sujata</author>
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      <title>“The course of true love never did run smooth”: The Late Elizabethan Sonnet and Shakespearean Criticism</title>
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      <author>Vuillemin, Rémi</author>
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      <title>Shakespeare on the Screen: Brazilian cinema and TV</title>
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      <title>Rhapsodic Shakespeare: V Sambasivan’s kathaprasangam / story-singing</title>
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      <title>Juliet’s Narcissism</title>
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      <title>“The dread of something after death”: Hamlet and the Emotional Afterlife of Shakespearean Revenants</title>
      <pubDate>Mon, 01 Jan 2018 16:13:21 +0100</pubDate>
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      <title>Terrorism and Culture: Macbeth, 9/11 and the Gunpowder Plot</title>
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