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      <title>Bleak Humour: Jonathan Coe’s Politeness of Despair in The Rotters’ Club</title>
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      <title>Satire Revised in Light of Thatcherism in Rose Tremain’s Restoration</title>
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      <title>Yinka Shonibare, MBE and Sartorial Parody: Costuming as Subversive Practice</title>
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      <title>Harold Pinter’s The Birthday Party (1958) and The Dumb Waiter (1960) or the intermingling of farce and menace</title>
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      <title>P. G. Wodehouse’s ‘Thoughtful Lightness’ and Detached Involvement: Satire, Parody and the Subversive Use of the Canonical Intertext in Code of the Woosters (1938)</title>
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      <title>Introduction</title>
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      <title>LOL</title>
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      <title>Laughing Out Loud with Jonathan Coe: A Conversation</title>
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      <title>Peter Tolhurst, Virginia Woolf’s English Hours</title>
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      <title>Katherine Mansfield and World War One, Alice Kelly and Isobel Maddison eds. Katherine Mansfield Studies. Gerry Kimber, Todd Martin, Delia da Sousa Correa, eds.</title>
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      <title>‘The Vicar at the Window Sponging his Aspidistra’: Comedy in High and Low British Culture</title>
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      <title>‘There’s a Lot to Be Said for Making People Laugh’: The Grotesque as Political Subversion in Jonathan Coe’s Fiction</title>
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      <title>‘[Laughter] was something that drew people together. It was something shared’. (‘The Paradox of Satire [I]’): from laughing along to mislaughing oneself away and coming out in Jonathan Coe’s fiction</title>
      <pubDate>Fri, 01 Jan 2016 11:17:36 +0100</pubDate>
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      <author>Mellet, Laurent</author>
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      <title>Exposures: Humour and Vulnerability in some Contemporary British Novels</title>
      <pubDate>Fri, 01 Jan 2016 11:17:36 +0100</pubDate>
      <link>https://catalogue.univ-orleans.fr/Record/openedition-oai:revues.org:ebc_3363</link>
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      <author>Ganteau, Jean-Michel</author>
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      <title>‘A Satire at Once Savage and Toothless’: The Politics and Aesthetics of Satire in Will Self’s Works</title>
      <pubDate>Fri, 01 Jan 2016 11:17:36 +0100</pubDate>
      <link>https://catalogue.univ-orleans.fr/Record/openedition-oai:revues.org:ebc_3399</link>
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      <author>Gonneaud, Justine</author>
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      <title>Come(dies) of Ageism: Kingsley Amis’s Barmy, Old Devils</title>
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      <author>Letissier, Georges</author>
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      <title>Elephants and Light Fantasy: Humour in Terry Pratchett’s Discworld series</title>
      <pubDate>Fri, 01 Jan 2016 11:17:36 +0100</pubDate>
      <link>https://catalogue.univ-orleans.fr/Record/openedition-oai:revues.org:ebc_3462</link>
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      <author>Duvezin-Caubet, Caroline</author>
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      <title>Recent British Literature: Concluding panel of the 2015 SEAC conference</title>
      <pubDate>Fri, 01 Jan 2016 11:17:36 +0100</pubDate>
      <link>https://catalogue.univ-orleans.fr/Record/openedition-oai:revues.org:ebc_3478</link>
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      <author>Guignery, Vanessa</author>
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      <title>Isabelle Keller-Privat, Between the lines. L’écriture du déchirement dans la poésie de Lawrence Durrell</title>
      <pubDate>Fri, 01 Jan 2016 11:17:36 +0100</pubDate>
      <link>https://catalogue.univ-orleans.fr/Record/openedition-oai:revues.org:ebc_3500</link>
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      <author>Alexandre-Garner, Corinne</author>
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      <title>James Gifford. Personal Modernisms. Anarchist Networks and the Later Avant-Gardes &amp; Lawrence Durrell. From the Elephant’s Back. Collected Essays and Travel Writings.</title>
      <pubDate>Fri, 01 Jan 2016 11:17:36 +0100</pubDate>
      <link>https://catalogue.univ-orleans.fr/Record/openedition-oai:revues.org:ebc_3502</link>
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      <author>Keller-Privat, Isabelle</author>
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      <title>Elsa Cavalié. Réécrire l’Angleterre, L’anglicité dans la littérature britannique contemporaine</title>
      <pubDate>Fri, 01 Jan 2016 11:17:36 +0100</pubDate>
      <link>https://catalogue.univ-orleans.fr/Record/openedition-oai:revues.org:ebc_3504</link>
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      <author>Robert-Nicoud, Elie</author>
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      <title>Folksong is not Poetry: Advocating for a Non-Modular Theory of Text-Setting in Folksong</title>
      <pubDate>Fri, 01 Jan 2016 11:17:36 +0100</pubDate>
      <link>https://catalogue.univ-orleans.fr/Record/openedition-oai:revues.org:ebc_2799</link>
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      <author>Rodríguez-Vázquez, Rosalía</author>
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      <title>In Defence of the Dolnik: Twentieth-Century British Verse in Free Four-Beat Metre</title>
      <pubDate>Fri, 01 Jan 2016 11:17:36 +0100</pubDate>
      <link>https://catalogue.univ-orleans.fr/Record/openedition-oai:revues.org:ebc_2797</link>
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      <author>Attridge, Derek</author>
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      <title>Rhythm in Thomas Hardy’s Verse: “New Continuities of Meaning”</title>
      <pubDate>Fri, 01 Jan 2016 11:17:36 +0100</pubDate>
      <link>https://catalogue.univ-orleans.fr/Record/openedition-oai:revues.org:ebc_2801</link>
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      <author>Estanove, Laurence</author>
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      <title>An Experience with Rhythm: W.S. Graham</title>
      <pubDate>Fri, 01 Jan 2016 11:17:36 +0100</pubDate>
      <link>https://catalogue.univ-orleans.fr/Record/openedition-oai:revues.org:ebc_2803</link>
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      <author>Nowell-Smith, David</author>
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      <title>Rhythm, Composition, Syntax and Semantics in R.S. Thomas’ “No”, “Kneeling” and “Via Negativa”</title>
      <pubDate>Fri, 01 Jan 2016 11:17:36 +0100</pubDate>
      <link>https://catalogue.univ-orleans.fr/Record/openedition-oai:revues.org:ebc_2807</link>
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      <author>Wisniewski, Tomasz</author>
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      <title>Rhythm as Spiritual Pursuit in the Poetry of George Mackay Brown</title>
      <pubDate>Fri, 01 Jan 2016 11:17:36 +0100</pubDate>
      <link>https://catalogue.univ-orleans.fr/Record/openedition-oai:revues.org:ebc_2805</link>
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      <author>Delmaire, Dominique</author>
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      <title>Rhythm and Reader Identity in Philip Larkin and Keston Sutherland</title>
      <pubDate>Fri, 01 Jan 2016 11:17:36 +0100</pubDate>
      <link>https://catalogue.univ-orleans.fr/Record/openedition-oai:revues.org:ebc_2809</link>
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      <author>Kennedy, David</author>
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      <title>Describing Shape in the Poetry of J.H. Prynne: Rhythm and Intonation in “Again in the Black Cloud”</title>
      <pubDate>Fri, 01 Jan 2016 11:17:36 +0100</pubDate>
      <link>https://catalogue.univ-orleans.fr/Record/openedition-oai:revues.org:ebc_2811</link>
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      <author>Rumsey, Lacy</author>
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      <title>Ideologies of English: Stress Clash, “Anglo-Saxon”, and Twentieth-Century Conceptions of Rhythm</title>
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      <author>Eastman, Andrew</author>
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      <title>“I want you to tell me if grief, brought to numbers, cannot be so fierce”: Stanzaic Form, Rhythm and Play in Paul Muldoon’s Long Poems</title>
      <pubDate>Fri, 01 Jan 2016 11:17:36 +0100</pubDate>
      <link>https://catalogue.univ-orleans.fr/Record/openedition-oai:revues.org:ebc_2815</link>
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      <title>“It’s my voice; that’s how I speak”: The Rhythms of Northern English in the Poetry of Simon Armitage</title>
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