RE-MOLD: Managing recurring mould after flood

di Segelstein, Ariane, Collanges, Françoise
Pubblicato in: URI:https://journals.openedition.org/ceroart (2024)

Domaine de recherche et d’innovation majeur (DIM)Patrimoines matériels — innovation, expérimentation, résilience (PAMIR) 

di Bourgès, Ann, Cuisin, Jacques, Hélou de La Grandière, Pauline, Jouves-Hann, Barbara, Morana Burlot, Delphine, Pichon-Meunier, Gaëlle, Rolland, Olivier, David, Sophie, Bertrand, Loïc
Pubblicato in: URI:https://journals.openedition.org/ceroart (2024)

Replace or remake ? A work in progress

di Breuil, Marie-Hélène
Pubblicato in: URI:https://journals.openedition.org/ceroart (2024)

La réplique d’expérience en musique : la question de la jouabilité des instruments au musée de la Musique

di Loeper-Attia, Marie-Anne
Pubblicato in: URI:https://journals.openedition.org/ceroart (2024)

About metal soaps in ethnographic collections 

di Russo, Silvia, Granget, Elodie, Malefakis, Alexis, Brambilla, Laura, Thomas, Jean-Baptiste, Joseph, Edith
Pubblicato in: URI:https://journals.openedition.org/ceroart (2024)

What’s in a name? The conservator-restorer: a definition

di Bollard, Clémentine
Pubblicato in: URI:https://journals.openedition.org/ceroart (2024)

À propos de l’entretien mené avec Richard Long en septembre 2014

di Gaboriau, Hoël
Pubblicato in: URI:https://journals.openedition.org/ceroart (2024)

Préface

Pubblicato in: URI:https://journals.openedition.org/ceroart (2024)

Éditorial

di Verbeeck-Boutin, Muriel
Pubblicato in: URI:https://journals.openedition.org/ceroart (2024)

Os museus e a(s) sociedade(s). Teorias, contextos, histórias, experiências, desafios,

di Maire-Vincent, Héloïse Elisabeth, Ducatteau, Ghislaine
Pubblicato in: URI:https://journals.openedition.org/ceroart (2024)

What’s in a name? Le conservateur-restaurateur : une définition

di Bollard, Clémentine
Pubblicato in: URI:https://journals.openedition.org/ceroart (2024)

Salvador Muños-Viñas, A Theory of Cultural Heritage.

di Verbeeck, Muriel
Pubblicato in: URI:https://journals.openedition.org/ceroart (2024)

Varia 2023-2024

Pubblicato in: URI:https://journals.openedition.org/ceroart (2024)

Un problème d’obsolescence : la substitution de tubes fluorescents sur deux œuvres lumino-cinétiques de Nino Calos

di Steib, Olivier
Pubblicato in: URI:https://journals.openedition.org/ceroart (2024)

Theoretical issues in the conservation of contemporary art

di Llamas-Pacheco, Rosario
Pubblicato in: URI:https://journals.openedition.org/ceroart (2024)

Les biocides dans les collections – persistances toxiques, relectures critiques et nouvelles pratiques

di Monot, Lucie, Gomez, Isabel Garcia, Arndt, Lotte
Pubblicato in: URI:https://journals.openedition.org/ceroart (2024)

Ways of Aesthetically Integrating Conservation Theory in an Era of Neoliberal Illusions and Post-Colonial Migration

di Schinzel, Hiltrud
Pubblicato in: URI:https://journals.openedition.org/ceroart (2024)

Restoration of decorative glazed ceramic from Morocco: Technical replicas

di Dehon, Claire, Halim, Mouhssin El, Fagel, Nathalie, Daoudi, Lahcen, Cools, Catherine, Rousseau, Valérie, Ouahabi, Meriam El
Pubblicato in: URI:https://journals.openedition.org/ceroart (2024)

The challenges of preserving and managing sulphur-containing plaster casts

di Cremers, Nand
Pubblicato in: URI:https://journals.openedition.org/ceroart (2024)

A Study of Color Palettes and Painting Techniques of Prayat Pongdam: Oil on Board Painting “Cats and Birds (1957)” Using Micro-XRF Scanning Technique

di Kaew-On, Nawarat, Kongchan, Supapit
Pubblicato in: URI:https://journals.openedition.org/ceroart (2024)