RE-MOLD: Managing recurring mould after flood

od Segelstein, Ariane, Collanges, Françoise
Izdano u: URI:https://journals.openedition.org/ceroart (2024)

Domaine de recherche et d’innovation majeur (DIM)Patrimoines matériels — innovation, expérimentation, résilience (PAMIR) 

od Bourgès, Ann, Cuisin, Jacques, Hélou de La Grandière, Pauline, Jouves-Hann, Barbara, Morana Burlot, Delphine, Pichon-Meunier, Gaëlle, Rolland, Olivier, David, Sophie, Bertrand, Loïc
Izdano u: URI:https://journals.openedition.org/ceroart (2024)

Varia 2023-2024

Izdano u: URI:https://journals.openedition.org/ceroart (2024)

Préface

Izdano u: URI:https://journals.openedition.org/ceroart (2024)

Éditorial

od Verbeeck-Boutin, Muriel
Izdano u: URI:https://journals.openedition.org/ceroart (2024)

Restaurer ou refaire ? Une étude sur White Rock Line et son devenir

od Breuil, Marie-Hélène, Houvet, Agathe, Meyohas, Marie-Emmanuelle
Izdano u: URI:https://journals.openedition.org/ceroart (2024)

Même et autre : de White Rock Line (1990) à White Rock Line (1990, remade 2014)

od Cadenet, Anne
Izdano u: URI:https://journals.openedition.org/ceroart (2024)

Entretien avec Richard Long à propos de White Rock Line (1990, remade 2014)

od Long, Richard
Izdano u: URI:https://journals.openedition.org/ceroart (2024)

Replace or remake ? A work in progress

od Breuil, Marie-Hélène
Izdano u: URI:https://journals.openedition.org/ceroart (2024)

La réplique d’expérience en musique : la question de la jouabilité des instruments au musée de la Musique

od Loeper-Attia, Marie-Anne
Izdano u: URI:https://journals.openedition.org/ceroart (2024)

About metal soaps in ethnographic collections 

od Russo, Silvia, Granget, Elodie, Malefakis, Alexis, Brambilla, Laura, Thomas, Jean-Baptiste, Joseph, Edith
Izdano u: URI:https://journals.openedition.org/ceroart (2024)

Ways of Aesthetically Integrating Conservation Theory in an Era of Neoliberal Illusions and Post-Colonial Migration

od Schinzel, Hiltrud
Izdano u: URI:https://journals.openedition.org/ceroart (2024)

Un problème d’obsolescence : la substitution de tubes fluorescents sur deux œuvres lumino-cinétiques de Nino Calos

od Steib, Olivier
Izdano u: URI:https://journals.openedition.org/ceroart (2024)

Theoretical issues in the conservation of contemporary art

od Llamas-Pacheco, Rosario
Izdano u: URI:https://journals.openedition.org/ceroart (2024)

Les biocides dans les collections – persistances toxiques, relectures critiques et nouvelles pratiques

od Monot, Lucie, Gomez, Isabel Garcia, Arndt, Lotte
Izdano u: URI:https://journals.openedition.org/ceroart (2024)

The challenges of preserving and managing sulphur-containing plaster casts

od Cremers, Nand
Izdano u: URI:https://journals.openedition.org/ceroart (2024)

Restoration of decorative glazed ceramic from Morocco: Technical replicas

od Dehon, Claire, Halim, Mouhssin El, Fagel, Nathalie, Daoudi, Lahcen, Cools, Catherine, Rousseau, Valérie, Ouahabi, Meriam El
Izdano u: URI:https://journals.openedition.org/ceroart (2024)

A Study of Color Palettes and Painting Techniques of Prayat Pongdam: Oil on Board Painting “Cats and Birds (1957)” Using Micro-XRF Scanning Technique

od Kaew-On, Nawarat, Kongchan, Supapit
Izdano u: URI:https://journals.openedition.org/ceroart (2024)

The Word become Flesh. Wild orality and “palliative” conservation for the Mexican performative arts

od Salinas, Juan Gerardo Ugalde
Izdano u: URI:https://journals.openedition.org/ceroart (2024)

Faut-il en finir avec la Charte de Venise ?

od Houbart, Claudine
Izdano u: URI:https://journals.openedition.org/ceroart (2024)