RE-MOLD: Managing recurring mould after flood

por Segelstein, Ariane, Collanges, Françoise
Publicado en: URI:https://journals.openedition.org/ceroart (2024)

Domaine de recherche et d’innovation majeur (DIM)Patrimoines matériels — innovation, expérimentation, résilience (PAMIR) 

por Bourgès, Ann, Cuisin, Jacques, Hélou de La Grandière, Pauline, Jouves-Hann, Barbara, Morana Burlot, Delphine, Pichon-Meunier, Gaëlle, Rolland, Olivier, David, Sophie, Bertrand, Loïc
Publicado en: URI:https://journals.openedition.org/ceroart (2024)

Replace or remake ? A work in progress

por Breuil, Marie-Hélène
Publicado en: URI:https://journals.openedition.org/ceroart (2024)

La réplique d’expérience en musique : la question de la jouabilité des instruments au musée de la Musique

por Loeper-Attia, Marie-Anne
Publicado en: URI:https://journals.openedition.org/ceroart (2024)

About metal soaps in ethnographic collections 

por Russo, Silvia, Granget, Elodie, Malefakis, Alexis, Brambilla, Laura, Thomas, Jean-Baptiste, Joseph, Edith
Publicado en: URI:https://journals.openedition.org/ceroart (2024)

What’s in a name? The conservator-restorer: a definition

por Bollard, Clémentine
Publicado en: URI:https://journals.openedition.org/ceroart (2024)

À propos de l’entretien mené avec Richard Long en septembre 2014

por Gaboriau, Hoël
Publicado en: URI:https://journals.openedition.org/ceroart (2024)

Préface

Publicado en: URI:https://journals.openedition.org/ceroart (2024)

Éditorial

por Verbeeck-Boutin, Muriel
Publicado en: URI:https://journals.openedition.org/ceroart (2024)

Os museus e a(s) sociedade(s). Teorias, contextos, histórias, experiências, desafios,

por Maire-Vincent, Héloïse Elisabeth, Ducatteau, Ghislaine
Publicado en: URI:https://journals.openedition.org/ceroart (2024)

What’s in a name? Le conservateur-restaurateur : une définition

por Bollard, Clémentine
Publicado en: URI:https://journals.openedition.org/ceroart (2024)

Salvador Muños-Viñas, A Theory of Cultural Heritage.

por Verbeeck, Muriel
Publicado en: URI:https://journals.openedition.org/ceroart (2024)

Varia 2023-2024

Publicado en: URI:https://journals.openedition.org/ceroart (2024)

Un problème d’obsolescence : la substitution de tubes fluorescents sur deux œuvres lumino-cinétiques de Nino Calos

por Steib, Olivier
Publicado en: URI:https://journals.openedition.org/ceroart (2024)

Theoretical issues in the conservation of contemporary art

por Llamas-Pacheco, Rosario
Publicado en: URI:https://journals.openedition.org/ceroart (2024)

Les biocides dans les collections – persistances toxiques, relectures critiques et nouvelles pratiques

por Monot, Lucie, Gomez, Isabel Garcia, Arndt, Lotte
Publicado en: URI:https://journals.openedition.org/ceroart (2024)

Ways of Aesthetically Integrating Conservation Theory in an Era of Neoliberal Illusions and Post-Colonial Migration

por Schinzel, Hiltrud
Publicado en: URI:https://journals.openedition.org/ceroart (2024)

Restoration of decorative glazed ceramic from Morocco: Technical replicas

por Dehon, Claire, Halim, Mouhssin El, Fagel, Nathalie, Daoudi, Lahcen, Cools, Catherine, Rousseau, Valérie, Ouahabi, Meriam El
Publicado en: URI:https://journals.openedition.org/ceroart (2024)

The challenges of preserving and managing sulphur-containing plaster casts

por Cremers, Nand
Publicado en: URI:https://journals.openedition.org/ceroart (2024)

A Study of Color Palettes and Painting Techniques of Prayat Pongdam: Oil on Board Painting “Cats and Birds (1957)” Using Micro-XRF Scanning Technique

por Kaew-On, Nawarat, Kongchan, Supapit
Publicado en: URI:https://journals.openedition.org/ceroart (2024)