Historicising the question of socialisation into “popular music”
This article is more of a programmatic text than a specific research report. It aims to show the necessity of a historicization of the question of musical socializations, in particular in the field of popular music which appeared during the 20th century and evolved much in a few decades. Based on a...
Salvato in:
| Pubblicato in: | URI:https://journals.openedition.org/transposition, |
|---|---|
| Autore principale: | |
| Natura: | Article ou chapitre numérique |
| Lingua: | Anglais |
| Pubblicazione: |
Transposition
2023
|
| Soggetti: | |
| Accesso online: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| id |
openedition-oai:revues.org:transposition_8113 |
|---|---|
| record_format |
openedition |
| spelling |
openedition-oai:revues.org:transposition_8113 https://doi.org/10.4000/transposition.8113 urn:doi:10.4000/transposition.8113 en https://journals.openedition.org/transposition/8113 2023-12-06T01:00:00Z info:eu-repo/semantics/openAccess article info:eu-repo/semantics/article urn:handle:20.500.13089/lmei https://creativecommons.org/licenses/by-sa/4.0/ Historicising the question of socialisation into “popular music” Transposition Éditions de l’EHESS info:eu-repo/semantics/reference/issn/2110-6134 URI:https://journals.openedition.org/transposition Perrenoud, Marc Historicization musical socialisations musical work musicking ordinary musicians This article is more of a programmatic text than a specific research report. It aims to show the necessity of a historicization of the question of musical socializations, in particular in the field of popular music which appeared during the 20th century and evolved much in a few decades. Based on a set of sociohistorical works, including those conducted by the author for the last twenty-five years (field surveys in France and Switzerland mainly), the article highlights the drastic evolution of the conditions of possibility of a coming to musical practice in the last sixty years. |
| collection |
OpenEdition Journal |
| language |
Anglais |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/OpenEdition Journals/ |
| topic |
Historicization musical socialisations musical work musicking ordinary musicians |
| spellingShingle |
Historicization musical socialisations musical work musicking ordinary musicians Perrenoud, Marc Historicising the question of socialisation into “popular music” |
| description |
This article is more of a programmatic text than a specific research report. It aims to show the necessity of a historicization of the question of musical socializations, in particular in the field of popular music which appeared during the 20th century and evolved much in a few decades. Based on a set of sociohistorical works, including those conducted by the author for the last twenty-five years (field surveys in France and Switzerland mainly), the article highlights the drastic evolution of the conditions of possibility of a coming to musical practice in the last sixty years. |
| author |
Perrenoud, Marc |
| author_facet |
Perrenoud, Marc |
| author_sort |
Perrenoud, Marc |
| title |
Historicising the question of socialisation into “popular music” |
| title_short |
Historicising the question of socialisation into “popular music” |
| title_full |
Historicising the question of socialisation into “popular music” |
| title_fullStr |
Historicising the question of socialisation into “popular music” |
| title_full_unstemmed |
Historicising the question of socialisation into “popular music” |
| title_sort |
historicising the question of socialisation into “popular music” |
| publisher |
Transposition |
| publishDate |
2023 |
| container_title |
URI:https://journals.openedition.org/transposition |
| url |
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/transposition.8113 https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/transposition/8113 |
| _version_ |
1877292602657603584 |