The social conditions of possibility of “flop”: production, intermediation and reception
For the tenth issue of the journal Transposition. Musique et sciences sociales on the theme of “flops” and coordinated by Sarah Benhaïm and Lambert Dousson, we wished to discuss this topic with three young researchers in social sciences whose doctoral research focused on the different levels of circ...
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| 出版年: | URI:https://journals.openedition.org/transposition, |
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| 主要な著者: | , |
| フォーマット: | Article ou chapitre numérique |
| 言語: | Anglais |
| 出版事項: |
Transposition
2022
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| 主題: | |
| オンライン･アクセス: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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openedition-oai:revues.org:transposition_7990 |
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openedition |
| spelling |
openedition-oai:revues.org:transposition_7990 https://doi.org/10.4000/transposition.7990 urn:doi:10.4000/transposition.7990 en https://journals.openedition.org/transposition/7990 2022-06-30T02:00:00Z info:eu-repo/semantics/openAccess article info:eu-repo/semantics/article urn:handle:20.500.13089/lme8 https://creativecommons.org/licenses/by-sa/4.0/ The social conditions of possibility of “flop”: production, intermediation and reception Transposition Éditions de l’EHESS info:eu-repo/semantics/reference/issn/2110-6134 URI:https://journals.openedition.org/transposition Mayaud, Isabelle Robert, Alexandre reception music flop production intermediation For the tenth issue of the journal Transposition. Musique et sciences sociales on the theme of “flops” and coordinated by Sarah Benhaïm and Lambert Dousson, we wished to discuss this topic with three young researchers in social sciences whose doctoral research focused on the different levels of circulation of musical goods – production, intermediation, reception – and how they interrelate. We decided to interview them together, in order to obtain a variety of perspectives on the complex object that is the musical “flop” and to have the benefit of seeing these different views side by side.The following exchanges are the result of an interview conducted on Friday, January 29, 2021 via a shared online document. The interviewees were invited to connect to it simultaneously for a period of several hours in order to answer questions that had been previously entered by the interviewers. Beyond its obvious convenience in times of pandemic and restricted access to public meeting places, this experimental interview process was chosen and tested for the possibilities it seemed to offer in terms of discursive production and scientific exchange. Halfway between a live, oral group interview via videoconference (where the responses are recorded and then transcribed) and a collective interview carried out entirely via email (where the different responses are written and then compiled offline), the aim here was to encourage a form of spontaneity and interactivity between the participants while allowing a certain degree of self-reflection and formalization of the answers. Being connected to a shared document, where it was possible to read everything that was written in real time, encouraged each participant to react or adjust to the others’ comments, leaving the freedom to clarify, amend or correct their own answers over the relatively long duration of this virtual meeting. The resulting text was then proofread and edited by the two interviewers before being validated by the three interviewees. The footnotes were written by the interviewees. |
| collection |
OpenEdition Journal |
| language |
Anglais |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/OpenEdition Journals/ |
| topic |
reception music flop production intermediation |
| spellingShingle |
reception music flop production intermediation Mayaud, Isabelle Robert, Alexandre The social conditions of possibility of “flop”: production, intermediation and reception |
| description |
For the tenth issue of the journal Transposition. Musique et sciences sociales on the theme of “flops” and coordinated by Sarah Benhaïm and Lambert Dousson, we wished to discuss this topic with three young researchers in social sciences whose doctoral research focused on the different levels of circulation of musical goods – production, intermediation, reception – and how they interrelate. We decided to interview them together, in order to obtain a variety of perspectives on the complex object that is the musical “flop” and to have the benefit of seeing these different views side by side.The following exchanges are the result of an interview conducted on Friday, January 29, 2021 via a shared online document. The interviewees were invited to connect to it simultaneously for a period of several hours in order to answer questions that had been previously entered by the interviewers. Beyond its obvious convenience in times of pandemic and restricted access to public meeting places, this experimental interview process was chosen and tested for the possibilities it seemed to offer in terms of discursive production and scientific exchange. Halfway between a live, oral group interview via videoconference (where the responses are recorded and then transcribed) and a collective interview carried out entirely via email (where the different responses are written and then compiled offline), the aim here was to encourage a form of spontaneity and interactivity between the participants while allowing a certain degree of self-reflection and formalization of the answers. Being connected to a shared document, where it was possible to read everything that was written in real time, encouraged each participant to react or adjust to the others’ comments, leaving the freedom to clarify, amend or correct their own answers over the relatively long duration of this virtual meeting. The resulting text was then proofread and edited by the two interviewers before being validated by the three interviewees. The footnotes were written by the interviewees. |
| author |
Mayaud, Isabelle Robert, Alexandre |
| author_facet |
Mayaud, Isabelle Robert, Alexandre |
| author_sort |
Mayaud, Isabelle |
| title |
The social conditions of possibility of “flop”: production, intermediation and reception |
| title_short |
The social conditions of possibility of “flop”: production, intermediation and reception |
| title_full |
The social conditions of possibility of “flop”: production, intermediation and reception |
| title_fullStr |
The social conditions of possibility of “flop”: production, intermediation and reception |
| title_full_unstemmed |
The social conditions of possibility of “flop”: production, intermediation and reception |
| title_sort |
social conditions of possibility of “flop”: production, intermediation and reception |
| publisher |
Transposition |
| publishDate |
2022 |
| container_title |
URI:https://journals.openedition.org/transposition |
| url |
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/transposition.7990 https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/transposition/7990 |
| _version_ |
1877293136973135873 |