Musical Flops
An empty concert hall, with a handful of event organizers, friends and family as the only audience; awkward silence broken by the screech of feedback at the end of a song; a half-hearted smattering of applause; or, in the extreme, outright booing and rotten fruits and vegetables pelted at the music...
保存先:
| 出版年: | URI:https://journals.openedition.org/transposition, |
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| 主要な著者: | , , |
| フォーマット: | Article ou chapitre numérique |
| 言語: | Anglais |
| 出版事項: |
Transposition
2022
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| 主題: | |
| オンライン･アクセス: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| id |
openedition-oai:revues.org:transposition_7902 |
|---|---|
| record_format |
openedition |
| spelling |
openedition-oai:revues.org:transposition_7902 https://doi.org/10.4000/transposition.7902 urn:doi:10.4000/transposition.7902 en https://journals.openedition.org/transposition/7902 2022-06-30T02:00:00Z info:eu-repo/semantics/openAccess introduction info:eu-repo/semantics/article urn:handle:20.500.13089/lm9e https://creativecommons.org/licenses/by-sa/4.0/ Musical Flops An empty concert hall, with a handful of event organizers, friends and family as the only audience; awkward silence broken by the screech of feedback at the end of a song; a half-hearted smattering of applause; or, in the extreme, outright booing and rotten fruits and vegetables pelted at the musicians… A new album that barely makes a ripple; the let-down and commercial failure of a much-anticipated release that disappoints; record jackets that are aesthetically off, looking low-budget, kits... Transposition Éditions de l’EHESS info:eu-repo/semantics/reference/issn/2110-6134 URI:https://journals.openedition.org/transposition Benhaïm, Sarah Dousson, Lambert Noûs, Camille music gender flop artistic failure invisibility cultural intermediaries musical genres race |
| collection |
OpenEdition Journal |
| language |
Anglais |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/OpenEdition Journals/ |
| topic |
music gender flop artistic failure invisibility cultural intermediaries musical genres race |
| spellingShingle |
music gender flop artistic failure invisibility cultural intermediaries musical genres race Benhaïm, Sarah Dousson, Lambert Noûs, Camille Musical Flops |
| description |
An empty concert hall, with a handful of event organizers, friends and family as the only audience; awkward silence broken by the screech of feedback at the end of a song; a half-hearted smattering of applause; or, in the extreme, outright booing and rotten fruits and vegetables pelted at the musicians… A new album that barely makes a ripple; the let-down and commercial failure of a much-anticipated release that disappoints; record jackets that are aesthetically off, looking low-budget, kits... |
| author |
Benhaïm, Sarah Dousson, Lambert Noûs, Camille |
| author_facet |
Benhaïm, Sarah Dousson, Lambert Noûs, Camille |
| author_sort |
Benhaïm, Sarah |
| title |
Musical Flops |
| title_short |
Musical Flops |
| title_full |
Musical Flops |
| title_fullStr |
Musical Flops |
| title_full_unstemmed |
Musical Flops |
| title_sort |
musical flops |
| publisher |
Transposition |
| publishDate |
2022 |
| container_title |
URI:https://journals.openedition.org/transposition |
| url |
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/transposition.7902 https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/transposition/7902 |
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1877293137796268032 |