K. Meira Goldberg, Sonidos Negros: On the Blackness of Flamenco
Sonidos Negros: On the Blackness of Flamenco is an exploration of race and the representation of blackness in flamenco in which Meira K. Goldberg underscores the power of dance and dancing bodies to serve as sociocultural, political constructs. Goldberg asks “How is the politics of Blackness figure...
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| Yayımlandı: | URI:https://journals.openedition.org/transposition, |
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| Yazar: | |
| Materyal Türü: | Article ou chapitre numérique |
| Dil: | Anglais |
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Transposition
2022
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| Online Erişim: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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openedition-oai:revues.org:transposition_7345 |
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openedition |
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openedition-oai:revues.org:transposition_7345 https://doi.org/10.4000/transposition.7345 urn:doi:10.4000/transposition.7345 en https://journals.openedition.org/transposition/7345 2022-06-30T02:00:00Z info:eu-repo/semantics/openAccess review info:eu-repo/semantics/review urn:handle:20.500.13089/lmhp https://creativecommons.org/licenses/by-sa/4.0/ K. Meira Goldberg, Sonidos Negros: On the Blackness of Flamenco Sonidos Negros: On the Blackness of Flamenco is an exploration of race and the representation of blackness in flamenco in which Meira K. Goldberg underscores the power of dance and dancing bodies to serve as sociocultural, political constructs. Goldberg asks “How is the politics of Blackness figured in the flamenco dancing body?” (p. 10) and “What does flamenco dance tell us about the construction of race in the Atlantic World?” (p. 5)Her very original and well-written work reveals the many ... Transposition Éditions de l’EHESS info:eu-repo/semantics/reference/issn/2110-6134 URI:https://journals.openedition.org/transposition Chuse, Loren |
| collection |
OpenEdition Journal |
| language |
Anglais |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/OpenEdition Journals/ |
| description |
Sonidos Negros: On the Blackness of Flamenco is an exploration of race and the representation of blackness in flamenco in which Meira K. Goldberg underscores the power of dance and dancing bodies to serve as sociocultural, political constructs. Goldberg asks “How is the politics of Blackness figured in the flamenco dancing body?” (p. 10) and “What does flamenco dance tell us about the construction of race in the Atlantic World?” (p. 5)Her very original and well-written work reveals the many ... |
| author |
Chuse, Loren |
| spellingShingle |
Chuse, Loren K. Meira Goldberg, Sonidos Negros: On the Blackness of Flamenco |
| author_facet |
Chuse, Loren |
| author_sort |
Chuse, Loren |
| title |
K. Meira Goldberg, Sonidos Negros: On the Blackness of Flamenco |
| title_short |
K. Meira Goldberg, Sonidos Negros: On the Blackness of Flamenco |
| title_full |
K. Meira Goldberg, Sonidos Negros: On the Blackness of Flamenco |
| title_fullStr |
K. Meira Goldberg, Sonidos Negros: On the Blackness of Flamenco |
| title_full_unstemmed |
K. Meira Goldberg, Sonidos Negros: On the Blackness of Flamenco |
| title_sort |
k. meira goldberg, sonidos negros: on the blackness of flamenco |
| publisher |
Transposition |
| publishDate |
2022 |
| container_title |
URI:https://journals.openedition.org/transposition |
| url |
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/transposition.7345 https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/transposition/7345 |
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1877293137244717056 |