Sandra Jean Graham, Spirituals and the Birth of a Black Entertainment Industry
Sandra Graham’s Spirituals and the Birth of a Black Entertainment Industry is set in a barely emancipated world from the 1860s through the 1890s where newly freed Black people were discovering their own selfhood while white people were reworking the terms of their domination. Graham’s work reveals...
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| Publicat a: | URI:https://journals.openedition.org/transposition, |
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| Format: | Article ou chapitre numérique |
| Idioma: | Anglais |
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Transposition
2022
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| Accés en línia: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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openedition-oai:revues.org:transposition_7253 |
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openedition |
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openedition-oai:revues.org:transposition_7253 https://doi.org/10.4000/transposition.7253 urn:doi:10.4000/transposition.7253 en https://journals.openedition.org/transposition/7253 2022-06-30T02:00:00Z info:eu-repo/semantics/openAccess review info:eu-repo/semantics/review urn:handle:20.500.13089/lmhi https://creativecommons.org/licenses/by-sa/4.0/ Sandra Jean Graham, Spirituals and the Birth of a Black Entertainment Industry Sandra Graham’s Spirituals and the Birth of a Black Entertainment Industry is set in a barely emancipated world from the 1860s through the 1890s where newly freed Black people were discovering their own selfhood while white people were reworking the terms of their domination. Graham’s work reveals entertainment as one of the grounds on which these evolving battles were fought, since “the patrons of these Black entertainments were buying not only diversion but also conceptions of racial ident... Transposition Éditions de l’EHESS info:eu-repo/semantics/reference/issn/2110-6134 URI:https://journals.openedition.org/transposition Dromgoole, Ambre |
| collection |
OpenEdition Journal |
| language |
Anglais |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/OpenEdition Journals/ |
| description |
Sandra Graham’s Spirituals and the Birth of a Black Entertainment Industry is set in a barely emancipated world from the 1860s through the 1890s where newly freed Black people were discovering their own selfhood while white people were reworking the terms of their domination. Graham’s work reveals entertainment as one of the grounds on which these evolving battles were fought, since “the patrons of these Black entertainments were buying not only diversion but also conceptions of racial ident... |
| author |
Dromgoole, Ambre |
| spellingShingle |
Dromgoole, Ambre Sandra Jean Graham, Spirituals and the Birth of a Black Entertainment Industry |
| author_facet |
Dromgoole, Ambre |
| author_sort |
Dromgoole, Ambre |
| title |
Sandra Jean Graham, Spirituals and the Birth of a Black Entertainment Industry |
| title_short |
Sandra Jean Graham, Spirituals and the Birth of a Black Entertainment Industry |
| title_full |
Sandra Jean Graham, Spirituals and the Birth of a Black Entertainment Industry |
| title_fullStr |
Sandra Jean Graham, Spirituals and the Birth of a Black Entertainment Industry |
| title_full_unstemmed |
Sandra Jean Graham, Spirituals and the Birth of a Black Entertainment Industry |
| title_sort |
sandra jean graham, spirituals and the birth of a black entertainment industry |
| publisher |
Transposition |
| publishDate |
2022 |
| container_title |
URI:https://journals.openedition.org/transposition |
| url |
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/transposition.7253 https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/transposition/7253 |
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